Work in progress + new thoughts

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Here’s the progress so far on my fortune-telling deck. I’ve been focusing on getting all the artwork out before attending to the structure of the deck and cards, because it’s the most intuitive way for me to work on my project. Having researched on various aspects of deck design over the past couple of days, I’ve come to certain conclusions about how to further stretch my project.

  1. First of all, I’m starting to look into card systems and deck structures in more detail. Yesterday I came up with a simple map for the Rider Waite tarot deck that I have at home. My rationale for doing this is that I don’t yet have a straight-up system I am using to build my deck. At this point I only have about ten cards so it’s not so pressing for now, but it’s a good time to be looking into what the deck structure is going to be like. Deck structures aren’t only common to tarot sets, but to regular old four-suit playing card decks and to trading card games. (I used to collect Neopets cards and they came with Heroes, Villains, Locations, Items, Equipment, and Something Has Happened cards.) As a kind of side project to my illustrations I’m trying to find different ways to map the decks that I have to get an understanding of and inspire some structure.

    mapThis isn’t really part of my final outcome, but it’s useful to do for my own reference and I can include it in my process too.

  2. Building on the idea of structure, there’s a surprising amount of details that goes into the design of a single card. I’ve been using a single border and the same font (Neutra) for all of my cards just as an interim thing, but if you look carefully at these cards from the Zombie Tarot, you’ll notice that there are signifiers on the corners that tell you the value of the card and add to the zombie-themed design. In playing cards, every card needs to tell you its value and suit while being instantly recognizable and that’s something I want to incorporate into my deck. So far, I’ve been thinking of dividing my cards into two categories, Characters and Places. The initial idea here is to first deal a Place (i.e. Labyrinth, which could symbolize confusion/journeying), and then a Character card (or cards?), whose meanings would be read in the context of the larger Labyrinth meaning. (I should probably map this.)11_06_12_zombie3
  3. In addition to card structures, there are also almost infinite spread structures (provided in books or on Pinterest) that are meant to give direction to the way you deal cards. I’ve been using a four-card spread for all of my own casual personal readings (I don’t take tarot that seriously but sometimes it’s useful for me because the phrasing of meanings inspires me sometimes) but there are more, and the Da Vinci deck that I have (which was also my first deck) offers a 12-card spread using the mandala-like card backs as part of the reading. You’re meant to tile the card backs in a way that means something to you, and turn the cards mirrorwise to read them after you’re finished. I thought that was a really creative way to add substance to a reading within in the structure of a themed deck. Speaking of card backs, I’m leaving the design for that till later.

Card deck progress

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I might rework some of these cards next semester but I’m quite happy with my progress so far. I’m aiming to finish 24 by the end of October, and use November and December to focus on refining the deck, the system and the book. I think I’m in a somewhat more settled place, and I’ve been using my time to work on compositions that play with 2D space and make reference to Harry Clarke and Aubrey Beardsley.

Some of my friends were really excited about the cards because they’re quite fond of Greek mythology too. One of my friends really liked the Persephone card (the composition and the sneaky skeletal Hades hand), so that reaffirmed my belief in my FYP and in the concept I’m pursuing. I still want to think about special printing after reading Neil Gaiman’s The Sleeper And The Spindle again – Chris Riddell’s illustrations are printed in black and white with gold as an accent and I’d love to know if that’s viable for me. I’m still quite taken with black and white because of Harry Clarke.

Janus deck beginnings

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  1. I secretly want to flip out that the FYP Viscomm criteria was only sent today, and I feel a little sad that I’m the kind of person who feels reassured by documents even after years of declaring that I’m ready to buck a system that still needs guidelines WHO AM I
  2. I’m actually really liking the starts I’ve been making on the Janus deck and getting a little bit into this wayfinding thing.

So what is this Janus deck? A crafted fortune deck meant to use recognizable tropes from Greek mythology for the seemingly directionless or fearful individual (me sometimes) to divine sensible responses from the gods. Janus is symbolic of beginnings, and personally significant to me because of how I kind of needed a new beginning for my project as well. (I will draw more bizarre-looking cards, I promise. I know these two are terribly tame, but they’re very early experiments.)

Here is my to-do list.

  1. Read up in greater detail on Greek mythology (this means another trip to the ADM library), symbolism, divination, etc. to beef up the research basis of my project
  2. Make more cards, with increasingly bizarre imagery, with more Harry Clarke/Beardsley influence. Grotesque readings over the past two months will back up my illustrative style.
  3. Start working on book ideas. Make first, think later. Probably going to try incorporating dioramas and foldouts in my book because I want to draw a lot of things, and I pinned a lot of creative layouts and they’re really inspiring me.

The way I’ve been working is sort of an adhoc make first, conceptualize later thing so I can fulfill my almost neurotic compulsion to feel productive. Making also helps me calm my thyroids (or wherever my FYP anxiety is stored). I’ve been chasing after this lofty idea of The Perfect Most Beautiful FYP Concept Ever and that probably curtailed my desire to do anything, since it didn’t live up to whatever vague castle in the air I had in my head. The more I make the more material I have to choose from, which is exactly what I’m supposed to be doing anyway. More cards tomorrow, more book-related thoughts, and hopefully back to some kind of professional standard of blogging that doesn’t sound so much like a stream of consciousness.

Crowley’s Thoth Deck + Janus Deck thoughts

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Astrid left a comment for me linking to Aleister Crowley’s Thoth deck as well as a 45-minute documentary on Crowley himself. I’m about to give that a watch, and I really love the insane symbolism going on in the Thoth deck (even though I don’t really understand most of it as yet). My favourite is still the Rider Waite and the dry wit of the Fantod Pack has so much lovely personality, but this complements my research quite well and might lead me to some new ideas about how to go about working out the mechanics of my own deck.

My ennui seems to be an ongoing thematic concern (I mean, I get flashes of terrible anxiety about FYP even in the minutes after waking up – this morning I was lying in bed and suddenly felt overcome with the urge to breathe into a bag and run around and scream in panic) so maybe this deck will clarify things for me. Making always calms me down.

Here’s my idea so far:

The Janus Deck
Janus is the Roman god of beginnings and doors. Everything begins with a beginning, and mythology finds its way into everything. Janus is said to be the god you invoke in order to invoke other deities, and it makes sense to me to anchor this deck with his image. The deck could work as a gateway to ideas, resolutions and narratives, and will use imagery from Greek mythology (it seems oddly disjunctive to anchor this subject with a Roman deity), which lets me draw grotesque monsters and allow me to put my own spin on existing rich content.

Edward Gorey’s Fantod Pack

Since he supplied us with a visual vocabulary for cutesy dread over many decades, perhaps it comes as no surprise that Edward Gorey designed a set of whimsical tarot cards. The set is called the “Fantod Pack,” the word fantod signifying “a state of worry or nervous anxiety, irritability” and thus possibly the most Edward Gorey word ever. (David Foster Wallace was fond of the word as well, using the phrase “howling fantods” multiple times in Infinite Jest; the main clearinghouse website for DFW information is called The Howling Fantods.)

Not surprisingly, Gorey’s tarot set is (a) not precisely a tarot set, (b) reflexively downbeat, (c) more like a parody of a tarot set, and (d) utterly hilarious. Seriously, and I know that he is known for this style of humor, but looking over the Fantod Pack will give you a whole new appreciation for the possibilities of the deadpan mode of humor.

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I found this idea (unsurprisingly) on Pinterest and it’s slowly helping me reignite my desire to do something cool for FYP. I love how Gorey adapts the tarot tradition in his own humorously grim style and it encourages me to want to adapt my own card pack in a similar fashion (but in a way that suits my theme). I love esoteric kits and strange objects and I was looking at that again as a way of anchoring my theme in a concrete place. I’m going to make several small projects inspired by the ideas I’ve gathered on Pinterest and use some text by Italo Calvino as inspiration. Hopefully by immersing myself in making, I’ll overcome the ennui I’ve been feeling and get on track to progress!

Baroque

Baroque is a strange RPG video game that I was quite taken with when I was 16 (just in terms of art – I’m not that much of a gamer), so you can see how my interest in the strange and creepy world of surreal bizarre hybrids goes way back. I really don’t know where I’m going at the moment but I usually find that looking back on old influences tends to help me a lot.

One of my old ambitious ideas was to make my own tarot deck, which would be a great vehicle for drawing. The tarot led me back to Baroque, where the game universe is populated by Meta Beings that all correspond to the cards in the major arcana of the tarot.

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I love great character design and these all strike me as being uniquely expressive of each major arcana card that they’re meant to correspond to. If I want to reinterpret tarot cards, there has to be a purpose to them. Right now, I am lacking a purpose to what I’m doing. I’m going to write down everything we’ve discussed today and have another flip through the Codex Seraphinianus (really tempted to buy my own copy!).

Tarot Birthday Correspondences

Tarot Birthday Correspondences

There are cards in the major and minor arcanas of the standard tarot deck that correspond to the twelve astrological signs of the zodiac.

Gemini’s major arcana card is The Lovers. With my own birthday being taken as an example, my personal card in the minor arcana is the 10 of Swords. My court card is the Queen of Cups.