Toa Payoh zine process

You can check out part 1 here: https://oss.adm.ntu.edu.sg/yuol0001/toa-payoh-site-research/

Part 1.2 Ideation: https://oss.adm.ntu.edu.sg/yuol0001/toa-payoh-ideation/

Part 3 Final: https://oss.adm.ntu.edu.sg/yuol0001/a-journey-in-toa-payoh-final/


In my earlier ideation and drafts, I only used two colours- black and white to emphasise the graphic nature of my designs. After the first test print, I felt that the dichotomy of colours was not interesting enough to highlight key events of each spread. Thus I added bright red into each page. I kept it to a minimal to show consistency and harmonise the pages in its entirety.

 

After consulting with mimi, her main advice to me was to create a logo to represent toa payoh, allowing me to introduce various locations to my readers. My friends suggested I add the timestamp onto each location, to emphasise the feeling of a travelogue.  I feel these two additions really helped to stitch the zine together and bring the readers on a journey together.

 

I believed that since the zine was a physical copy of our work, it should be not soley a visual experience, but also a sensory one. Tying in with the theme that Toa payoh is a town trapped between modernity and its past, I tried to evoke Toa payoh’s sense of tired identity into my zine. I tried to experiment and bring this out by incorporating 3d into the zine.

I attempted at embossing, creating a 3d bevel effect that will heighten and further highlight aspects of the zine.

To do so, I printed an additional cover of the zine.

I traced the shape of TOA PAYOH using my tablet as a lightbox and used an art knife to trace over the contours. I later used a pencil to draw over the contours, creating grooves and imprints.

Only the T is embossed at this moment, as you can tell from the difference in reflectability between the alphabets.

I was worried that the texture is not that obvious and will be overlooked due to its subtle nature (and also because it cant be seen on camera), but my classmates all noticed and commented on how interesting it was.

I later glued the cover onto the zine.

Besides embossing, I sought to create additional texture through wrinkling the pages of the zine to create a tired, worn out look and feel.

wrinkle created by stacking uneven layers of glue

grainy, aged and dirty texture created by rubbing dirt over glue +further crumpling paper after paper has dried.

feathery texture created by applying glue and water over “muddy”, taking off layers of paper

The edges of each page were also intentionally made wet and crumpled, causing the edges to be uneven and causing the zine to be unable to close.

These physical imperfections meant to depict how the zine has been passed through many hands and experienced many changes and effects of time. Its wear and tear are reflections of how Toa payoh has been over the years, its previous glory slowly eroding away, becoming worn out and tired.


Failure in attempt.sad

I did research and attempted this type of gilded embossing, but the embossing turned out to be rather unclean and could not tear away from my printed paper.

i learnt that the way to do a gilded emboss is when the majority of the paper to be embossed on is not oinked upon. In the case that it is inked up like mine, the gold leaf will stick to every surface with ink and will not achieve desired effect.

A journey in Toa Payoh Final

You can check out part 1 here: https://oss.adm.ntu.edu.sg/yuol0001/toa-payoh-site-research/

Part 1.2 Ideation: https://oss.adm.ntu.edu.sg/yuol0001/toa-payoh-ideation/

Part 2 Process: https://oss.adm.ntu.edu.sg/yuol0001/398-2/


Big mistake…

I realized a little too late that zine were not to be a sensory experience. Mimi and classmates noted that the purposeful touches made it look unkempt, shabby and unprofessional, altogether ruining the effect of the zine.

I have learnt the important lesson that zine are supposed to be only a visual experience and that intentional marks shouldn’t be physical, but should be incorporated into the 2d design.

i guess my bold experimentation wasn’t satisfactory…but it was worth a shot!

 

 

Throughout this journey I’ve been struggling quite a bit to balance graphic illustration style and my personal illustrative style. As usually I’ve been looking to experimenting and making the gamble was quite a risk!

I am really grateful for all the comments I’ve received and i am looking forward to improving my work!

Positive comments!

Constant flow

Good colour choices- people love the consistent theme and colour scheme

Interesting play on text( linking 1st and second page)

Nice to put map to visualise location- good travel journal idea- creates good storylike feel- cool timeline format

Love the pop up texture of cover and graphics

Easy to read font which fits zine design

Whimsical, nice print

Warm tone of paper fits well

Narrative suits visuals, nice to follow- conveys working of tpy against test of time-balance between modern and 80s can be shown clearly

Consistent style- nice illustrative and graphic style

 

meh…?

can see flow of graphics (sort of)

 

Stuff to improve on

 

  1. UGLY WASHING MACHINE (WHO AR I TOTALLY FEEL THE SAME LAH HELP ME CHANGE THANKS)

2. Work on craftsmanship- improve on binding- aligning a little off. Improve gluing- uneven page- destroy feel of zine

 

3. There were also a lot of comments on paper

-Creating the paper texture made it seem excessively messy.

Can see through second page- distracting

 

4. Text and graphics

-Should change zine to highlight important parts, because bolding text was not so obvious

-Text and graphics too cramped – too many words-  shouldmake graphics speak more

-better spacing or less texts- distracts attention from graphics


Personal feedback…

I felt that i did not fully agree with how my friends commented that there were too much text.

Upon asking my friends from other schools, they felt that the inclusion of the text and story really helped them to understand the zine and intent better, as compared to a version i showed them which consisted of minimal text.

I felt as my zine was attempting to communicate some dense ideas, removing the texts and letting the graphics speak for themselves really removes the edge behind my message and leaves it open to misinterpretation.

However, I do agree that there should be better spacing, because it does look a little cramped, especially for the last spread.

If i had a choice, I would keep the text as it is but print on a large paper such that the pages will not be as cramped. 

 


Interesting add on:

Hohoho I made the effort to dress like my zine and blended in with the rest of adm with my ashy 50 shades of grey face. But effort to me whoop!

pls gimme more presentation point XP

(pls this is a great improvement from last sem’s 2 d presentation where I dressed in the obnoxious B-duck shirt and almost fainted during presentation.)

Toa payoh 1.2 ideation

This is a continuation of part 1 of my zine journey.

You can check out part 1 here: https://oss.adm.ntu.edu.sg/yuol0001/toa-payoh-site-research/

Part 2 process: https://oss.adm.ntu.edu.sg/yuol0001/398-2/

Part 3 Final: https://oss.adm.ntu.edu.sg/yuol0001/a-journey-in-toa-payoh-final/

 

one unique comment i received was:

my work and style resembled chinese propaganda

 

 

 

 

 

 

This got me thinking. Since Toa payoh was a mostly Chinese kampung, its roots were very ethnic Chinese. Many of the cultural heritages are also ethnic Chinese, most prominently the medical association, which specializes in Traditional Chinese Medicine. Thus, I came to the conclusion that the brushstroke, Chinese propaganda style is a good fit for this project.

This led me to think more about toa payoh’s personal relationship with the past. I visited Toa Payoh again and also went to heritage rich areas like Joo Chiat and Emerald hill.

All of these places have heritage signboards and avertise heritage tours.However, in comparison, Toa payoh did not have proper maintenance on the heritage sites. They just looked dreary and dead, seemingly without a link to the modern interest.

I felt that there was a lack of effort to relate and catch up to the modern world. This change in perspective compared to my last experience when i went there made me think

It seemed as if Toa payoh had become complacent in its search for regional identity, choosing to rest its laurels on its past glory and not choosing to make a big improvement about itself. As it is evidently unable to catch up yo progress, it seemed to have grumpily consoled itself wth its own heritage, creating a sleep atmosphere of a suburb stuck in the days of the “glorious past”.

Instead of creating a golden place of heritage and remembrance of the past like Joo Chiat, Toa Payoh is essentially creating a gilded state of antiquity. Inauthentic but out of necessity as it is unable to catch up to progress, and can only work with what it has– which is its heritage.

This is not wisdom, it is the feeble attempt to stroke one’s pride to cover up for current real inadequacies. It is an attempt to create some sort of heritage identity to stay relevant. It has taken out pages from the cultural preservation of joo chiat, but altogether lacks integrity or innovation.

Narrowing down from the original concept of a struggle for identity; unable to choose between the new and the old, I decide that i will introduce the background of struggle. I choose to create a zine resembling a cultural heritage tour, looking at the old parts of Toa Payoh from a modern perspective. It will be like a personal lament and sighing of Toa Payoh’s current state

Toa Payoh -Site Research

 

What i found to be interesting was the state of liminality toa payoh was in. It wasn’t a super old place full of heritage, because it was a very modern place not even half a century ago, and neither is it a modern place by today’s standards. It seems that toa payoh had been stuck in time, unable to catch up to the footsteps of the modern world, flaking away in its shadow of former glory. There have been attempts to modernist it, as seen from the beautiful new condominiums. They have a strong design sense with minimalist, sometimes even futuristic lines and curves, quite resembling the innovative strokes of popular skyscrapers. However, these stand in stark contrast to the rest of the HDBs, which are short,ugly, brown and stubbish.

The intertwining of culture was interesting too. There were purposefully erected monuments of cultural artifacts that are tended and preserved today. These are shown in the slides, in the form of the lion statue, the Chinese styled buildings, and the intricate symmetrical arches supporting the  walkways. I could see the town council’s intent to preserve toa payoh’s unique heritage. However, unlike heritage sites like Joo chiat, there has not been a very distinctive weave of culture such that it becomes a prominent and striking identity. Acts of preservation have been scattered and inconsistent, looking shabby.

It seems that Toa payoh is in a state where it is forced to create its own identity. It can either strive to be progressive and keep up with the ever changing tides, or at least give itself some semblance of modernity, or it can choose to deny progress and grasp onto its roots.

This sharp disjunction between the failure to reconcile or choose between either ideal to strive towards causes Toa payoh to lack a sense of cohesive identity. Without an identity, people have a hard time surmising toa payoh and truly understanding it.

 

This is a hard question and a challenging topic to tackle. One which even the current toa payoh cannot tackle on its own. However, this sentiment or uncertainty and a lack of identity is what i find to be key to this place. It is the issue i will choose to tackle.

 

This is part 1 of my journey to creating the zine, do join me along as I document the full journey

Part 2: https://oss.adm.ntu.edu.sg/yuol0001/toa-payoh-ideation/

Yuolmae is typing….

Inspiration, research and Process 

 

*Due to the truly unfortunate circumstance of the trusty macbook pro dying on her, Yuolmae has very regrettably lost many of her process files. However, she has managed to recover a few from backup data.

There was a very big hindrance for me when i started to do my drafting. Mimi said thats we could design either our full name or parts of our name; such as nicknames, initials or even half of our names.

The letters of my name YUOLMAE had a strange percentage of being straight or curved. The letters YL in YUOL are undoubtedly straight, while UO are curved. MAE can present itself as a straight text when in capitals, and curved when in its smaller case. It made no sense to have an uneven intersplicing of irregular blocks and curvatures in my name, thus I decided to split my full name into YUOL and MAE.

 

 

Illustrative purpose

 

 

 

F00D idea 1

I was always interested in in jobs in the food sector. Because my name YUOLMAE in korean means “small fruit” (No joke.), I decided to become a fruit seller. I chose to use MAE because of their curvy nature when in lower case. After doing a vector shape for “mae” on illustrator, I felt that the san-serif “mae” was very reminiscent of the roundness of fruits. I halved the fruits to allude to the natural shape of fruits while also showing the letters concisely. The “e” is depictd as a vine attached to a fruits to give some sense of mystery.

At first, I there was no flag on the fruits, thus making the situation awkward as viewers were left to guess for themselves whether I meant to represent a fruit seller or a farmer. I felt that I needed additional tools and background images to convey my occupation as a fruit seller, like a signboard staked behind the fruits denoting the prices. However, Mimi said it was too distracting and image-reliant. Thus, i changed my idea into a more subtle one, placing a price tag on one of the fruits. This did not create a huge distraction from the painting, and also illustrated my idea well.

 

 

F00D idea 2

I wanted to bring out the very nature, sentiment and attitude of the job. Thus I chose a job as a fast food server, where the fast paced lifestyle creates a stressful, underappreciated environment to work in. I chose a more zoomed in crop of the composition originally, to show the narrow-minded nose dive into the job, where servers can only focus their attention on such a small area at a time so as to not screw up.

However, following Mimi’s feedback, I created a more zoomed out composition, for greater clarity. The textures and splotches mean to represent the frustration and errors of the demanding job. Due to previous feedback that the “e” is not very defined, i closed the gap and uncertainty by placing a ketchup splotch at the corner of the e.

 

“Doctor, Lawyer or Surgeon

The surgeon is always a profession I had been deeply inclined towards. I have always been intrigued by the cold, calculative profession which provided so much knowledge and insight to the mysteries of the human anatomy.

My initial draft was a mixture of a realistic sketch and a render, which was immediately rejected by Mimi due to the lack of cohesiveness. In addition, the lack of harmony is further exemplified due to the contrasting natures of the straight YL and the curvy UO. Thus, I changed my concept to be a fully vectorised render, working with curves to link the entire design together.

My first sketch attempt played with gestalt in the shape of the stetoscope, linking the Y, U, and O together.

Inspiration

 

I later changed the color scheme as it became too stark and contrasting. I chose a warm flesh-toned palette and created contrast using the cool grays of the surgical knife, showing the nature of the profession, where hard mechanics and solid skills work on moving, soft human flesh. I added the vignetting to simulate how the surgeon’s job is to go into the body, just like how vignettes pull viewer’s eyes into the painting.

 

When there’s trouble, you know who to call~

Civil defense is an important part of keeping Singapore safe, and one of the professions I truly respect and admire are Firefighters. They rush into the situation fully prepared to face the worst, with the danger of self-sacrifice looming ever behind their heads. But they don’t look back.

I realized that my surname, ANG, represented a triangle, a rectangle and a circle, much like the symbols of harmony in art. The differences in the geometric shape made it an interesting challenge to tackle. I made the rectangular N into a burning building, connecting the two blocks with a fireman’s ladder. Out of the negative space of A, I fashioned a firefighter. The roundness of the G made it perfect to be a fireman’s hose.

 

However, my greatest issues were with how the color scheme did not match at all. Even though i decided to use a tetradic color scheme, the colors did not work well at all. I suspect that it was because purple was used, and purple was one of the most difficult colors to be paired with. Below shows different attempts in creating a harmonious color scheme

At last, I settled for a black and neon color scheme. Against the black background, the vibrancy of the purple and oranges used sprung to life but did not threaten to drown out one another. The sense of peril in the job is also heightened with this contrasting color scheme.

 

 

Final 

For my final presentation, I created 3d versions of the fruit, and propped them up on a yellow board. Viewers thus saw the clearer image of fruits sold on a display, highlighting and emphasizing the job of being a fruit seller.

 

Feedback:

Feedback from peers was mostly positive, with people liking the 3d effect of the fruits and the textures apparent in the fast food server piece.There was also one comment liking how the name was placed off center for the fast food server piece and the fruit seller piece.

There was a negative comment saying that the fast food seller piece would’ve been better if its background was on a fast food tray.