Mark making Experimental Process

Foundation 2D Project 1 process-Mark making experiment 

For the second and third week F2D lessons, we experimented with different techniques and tools to do mark making on paper! It was a process of discovery and exploration.

Tools I used for the second week: Leaves/Rocks/Roller/Paint brush/Monoprint/Soapsuds

-Leaves

The first tool I experimented with was different kinds of leaves, which was the tool that I posted on week 1. At first, I coated a leaf with block printing ink and stamped it on the paper.

 

 

 

 

 

 

 

Then I tried experimenting automatic technique, I dipped leaves in Chinese calligraphy ink, dabbed and swirled them on the paper without conscious control, just allowed my hand to move randomly across the paper.

 

 

 

 

 

 

 

Experimented with the same tool but different techniques, I tried monoprint technique with leaves.

 

 

 

 

 

 

 

 

-Rocks

The second tool was rock. I tried different mark making ideas by playing around with a rock, such as zigzags, loops, and scribbles.

 

 

 

 

 

 

 

-Soapsuds

I also experimented with soapsuds mixed with Chinese ink.

 

 

 

 

 

 

 

 

 

 

 

 

-Paint brush

Moving on, I tried playing around with a paint brush. Compared with leaves, paint brush was definitely a tool that easier to use and control. I tried spinning it on the paper to express the emotion of “glee”.

 

 

 

 

 

 

 

-Roller

The last tool I used was a roller. After coated the roller with block printing ink, I tried stamping and rolling it on the paper.

 

 

 

 

 

 

 

I had a lot of fun during the first experiment exercise and really enjoyed it. I will try to explore and experiment more mark making ideas with different tools and techniques after researching on emotions.

I decided my six emotions on the third week.

– Aggression

 

 

 

 

 

The idea was inspired by action movies. I used two palette knives with block printing ink to draw on the paper by using their sharp tips, edges and diamond-shaped bottom surface. Tried to create a scene of an intense fighting.

 

-Isolation

The idea was from a literary work called ‘Robinson Crusoe’, as the word ‘isolation’ reminded me of a small island in the ocean. The colour of dark grey also assists to emphasize on the feeling of fear and hopeless when someone is isolated and disconnected from the world.

This is the second attempt, I was trying to move the focal point to the left side by following the rule of thirds, instead of placing it right in the middle of the strip.

 

 

 

 

 

 

 

 

 

 

-Embarrassment

I think it is a feeling like the skin is being pricked by thousands of needles, and also comes with some feelings of fear and stress.

 

 

 

 

 

 

 

 

 

 

I was trying to emphasize the sense of pressure by cutting off the parts without black paint at the top and bottom.

 

-Disgust

The idea was inspired by nature. I used tissue with black acrylic paint to represent the rotten stuff. Then I paste some dried, finely cut leaves of tea on the strip to simulate the scene of swarms of ants gathering around. This kind of scene makes me disgusted when I see it in real life.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

-Amusement

Blowing bubbles was one of the things that I loved to do when I was a child. I think it was full of joy and brought me a lot of happy memories. Also, the circular shape is an element of joy. Therefore, I was trying to convey the emotion of ‘Amusement’ through an amusing way, which was blowing bubbles directly onto the strip with a straw.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

-Torment

Torment is a kind of feeling with severe mental or physical suffering. Personally, I am a person who is prone to headaches.  When I got a headache, I would become irritable because I cannot do anything even fall asleep. All I did was scratch my head vigorously. Therefore, I decided to use scratches to convey the emotion of torment.

 

 

 

 

 

 

 

Mark making research

Mark making research

Mark making is a term used to describe the different lines, patterns, and textures we create in a piece of art.  It applies to any art material on any surfaces and with any tools. Mark making is a fundamental element in making any type of art and it is how we begin to express emotion, movement, and other concepts we wish to convey in an artwork. It can be structured or uncontrolled. Most artists work with various kinds of marks in every painting, but there are also some styles just with one type of mark. It is easy to think of a mark as a building block for whatever we choose to create:

  • A single mark creates a dot.
  • An extended mark becomes a line.
  • A cluster of marks become a shape.
  • A series of repetitive marks become a pattern.

Mark making artists and techniques

https://www.thoughtco.com/jackson-pollock-biography-4141240

Jackson Pollock, an influential Action Painter. He is one of the leaders of the avant-garde Abstract Expressionist movement, and is considered as one of America’s greatest artists. He became particularly well-known for drip-painting, a radical new technique that he developed. But his painting materials and methods are not limited to brushes, and instead dripping, splattering, and pouring house paint from the can, also using sticks, knives, and trowels.

http://www.azquotes.com/author/11762-Jackson_Pollock

Many of Pollock’s paintings also display the “all-over” method of painting. In these paintings, there are no clear focal points, and everything is equally weighted. For Pollock, it was more about the rhythm and repetition of movement, gesture, and mark within the vastness of space as he conveyed primal emotion into abstract painting.

Convergence – https://www.jackson-pollock.org/convergence.jsp

There are some mark making ideas that I am going to experiment with my own tools. Such as broken lines, interlocking lines, loops & scribbles, jagged zig zags, etc. And I hope that I can explore some more interesting mark making ideas during the experimental process.

https://www.craftsy.com/blog/2016/07/mark-making-ideas/

 

Bubble print/Marbling Techniques

There is an another interesting technique of mark making which is by blowing down a straw into a bowl of ink mixed with washing up liquid creates a number of ink bubbles. Placing paper in contact with the bubbles will burst them transferring a perfect, mirror image of the bubble structure. Similar technique and outcome using marbling inks.

https://meganaspery.wordpress.com/2012/03/31/mark-making-techniques/
Paper Marbling – https://i.ytimg.com/vi/T3qcCoJ70XY/maxresdefault.jpg

 

Painting with candle smoke

Painting with smoke or fumage is a technique by using the smoke from a lit candle to create images on canvas or a piece of paper. The technique is thought to have been invented and popularised by Austrian-Mexican artist Wolfgang Paalen. This technique can be used alone or combine with other traditional painting techniques to add more form and meaning to the artworks. And the effects can be stunning and interesting.

Candle smoke painting – https://feltmagnet.com/painting/How-to-Paint-with-Candle-Smoke
Monoprint techniques

A basic overview of monoprinting is that a monoprint is a one-off print technique in which an image, produced on a plate, transferred to paper. The printing surface can be any type which is flat, smooth, and non-absorbent. For example, plexiglass or thin sheets of metal such as cooper or zinc is a suitable material. The beauty of monoprinting lies in its spontaneity and its allowance for combinations of printmaking, painting and drawing media.

According to the research online, there are 3 main monoprint techniques:

  • The additive or light-field method, in which the image is painted by adding pigment onto the plate. so you can create your image directly on a clean plate.
  • The subtractive or dark-field method where the entire plate is covered with a thin layer of pigment using a roller, which the artist then works out his image by selectively removing or wiping some of the pigment with brushes, sponges, sticks, or other tools. Paper is then directly placed over the plate.
  • The third method is a combination of the two.
http://www.monoprints.com/monoprints.php
http://www.monoprints.com/monoprints.php

 

L: Basic etching, printed before the additional ink was applied with brushes.

R: Final print
Rapsodia, 2001
© Colleen Corradi

 

 

 

Automatic techniques

Automatic technique is the process of creating art without any rational thinking, which also can be described as “expressing the subconscious.” In automatic drawing or painting, the hand is allowed to move ‘randomly’ across the paper. This unique method of art making has been largely used not only by surrealists, but by other modern and contemporary creators as well.

Automatic Drawing by André Masson https://www.moma.org/learn/moma_learning/andre-masson-automatic-drawing

I hope that I can enjoy and learn through the experimental process. Create some interesting mark.

 

Project 1-Mark making tools

Project 1 Process

Here are some tools that  I am going to use for mark making.

-Leaf

https://www.pexels.com/photo/green-leaf-plant-212323/

-Rock

https://www.pexels.com/photo/abstract-black-and-white-close-up-construction-237950/