BACK WITH MORE FOOD!

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THEME: Negative impacts associated with food consumption (I LOVE FOOD)

TONE: Dark humour

I didn’t want my visuals to be serious hence I adopted dark humour which addresses issues in a light hearted manner yet it embeds a slight twist.


COMPOSITIONS

1. & 2.

It’s difficult for us to place a number on how many animals have been killed for your sinful love of juicy pork buns.

We are too busy plowing through and sinking our teeth in succulent meat that we do not think about what the animal went through before being served on our plates.

“The meat industry is by far the biggest killer of animals around the world. It’s also responsible for relentless, routine cruelty to pigs, sheep, cows, chickens, ducks, geese and other animals who suffer every minute of their short lives. Females are repeatedly forcibly impregnated. Babies are torn away from their mothers, mutilated, kept in filthy and severely crowded conditions and fed a cocktail of drugs and chemicals sometimes causing their bodies to become oversized, resulting in numerous health problems. Then, often when they’re only a few months old, they endure a stressful and terrifying trip to the abattoir, where many are killed while still conscious.”

 

“IT’S ALWAYS TEA TIME.” ALICE IN WONDERLAND

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“It’s always tea time.” to me connotes a sense of gluttony for the tea time is often taken to be a light meal of sinful indulgence where we sink our teeth into soft fluffy chiffon cakes and having buttery cookies melting in our mouths. Instead of portraying this in a pleasant manner, I decided to use this association to touch on our excessive consumption and killing of animals. The girl’s head has been substituted with that of a pig having her meal which is a slab of ham. It is ironic that she is consuming her own meat and hence this makes us ponder about the issue of animal cruelty as if the head of the girl had not been replaced with that of a pig but retained as it is, this visual would have looked perfectly normal. This hence proves further how selfish we are and our negligence towards this issue.

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First draft

During the group consultation, Joy and my friends said that that the table is too cluttered hence there lacked a focus. I was’t really sure about this as I felt that in order to show gluttony there has to be excessiveness but by having a single slab of meat but by having it scaled up, it actually worked much better than a table full of poultry products. One of the feedback given was that there isn’t a need for the tea set as tea time in this case comes in the form of the poultry products. With their comments in mind, I decided to simplify the composition.

 

“THAT’LL DO, PIG. THAT’LL DO.” BABE 1995

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I thought that this quote implies a tone of plead and would be pretty apt in conveying that idea of desperation. In this composition, the roles are swapped. Pork meatballs are replaced with a kid in fetal position and instead of a human hand holding the ladle it is replaced with that of a trotter. Hmmm, what would happen if the roles are really swapped like this in this composition. Maybe then we will really understand the pain these animals have gone through and cut on our cruel killing.

 

 

3.

“SAY HELLO TO MY LITTLE FRIEND” SCARFACE 1983

 

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This composition touches on the idea of excessive and unhealthy consumption of food. The little dolls’ heads are replaces with food that everyone loves, JUNK FOOD!!

To suggest a sense of depth, I decided to introduce repetition and played with scale. The slight spiral and arrangement of the doll’s in ascending scale help to create depth. The hands too help heighten the depth of field.

 

 

4.

“I’M GONNA TALK TO SOME FOOD ABOUT THIS.” 30 ROCK 2006

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Emotional eating is a form of dependence on food to relieve stress. Heavy dependance can have adverse effects on both out health and emotional states. In this composition, a patient is seeking treatment from food to convey this idea and it too suggests a food therapy.

Was inspired by Jon as he was picking on how I always solve my problems with food. His said that his kidney was hurting and I told him that he was just hungry and offered him sweet potato chips. “My toe hurts. My stomach hurts. I broke my leg. Oh you are just hungry.”

Again, I substituted the doctor’s head with a bowl of ramen. The stethoscope is replaced with chopsticks, the tubing with ramen and chest piece with japanese fish cake. The medical reports are too replaced with menu.


Difficulties:

As I didn’t like the effect bitmap gave, I treated all 4 compositions with threshold. However, with threshold, I had to have several layers and different adjustments as with just a single layer, it eliminated way too many details.

On the flip side, threshold made silk screening much easier as there wasn’t tonal gradations in my competitions and the positive areas are way larger than the lines or ellipses in bitmap. Hence, my print turned out well although some of the really fine lines did not show I am very satisfied with the outcome as it managed to capture the rest of the parts. Wouldn’t have been able to do this without the help of MR OCD DAWIN AND MY FRIENDS!!!

(left my tote bag in hall so I don’t have a photo of it to post. Will post it up soon)

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Here it is! So happy with the result! 

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INSPIRATION KITCHEN

NOUAR

FOOD!!!!! I like how her works are infused with a sinister twist without being too cynical. There is a balance struck between her dark meanings and jolly palatable paintings.

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MARK RYDEN

MORE FOOD!!! Another artist who ushered in “Pop surrealism”, whose works thread on a fine line between cute and disturbing. I really love how a subtle disquiet inhabits his works. Beneath the sweet and cute works hints at a darker meaning.

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EUGENIA LOLI

The way she juxtaposes images that do that belong together to create bizarre imageries is really interesting. Her visual narratives invites viewers to ponder and really think about what she is trying to convey in her work and this is what I hope to achieve in my works.

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SAMMY SLABBINCK

Like in Loli’s work, I like how his works bear a narrative quality and he is able to achieve that through simple yet powerful visuals that at the same time are permeated by a subtle sense of humour. I really love his clever juxtaposition of images to present new meanings and puns.

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SEAFOOD HAHAHAHAHAHAHAHAHAHAHAHAH

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MARINA MOLARES

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HOLY SHIiTake

I LOVE MUSHROOMS

HENCE I DECIDED TO LOOK INTO THE SEM OF THE MYCELIUM THREAD OF SHIITAKE MUSHROOM!

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untitled-presentationFungal mycelium from an unidentified species of fungus, revealed underneath the bark of a rotting tree branch. The mycelium is the vegetative part of the fungus and is made up of a mass of thread-like hyphae. Peak Disrtict National Park, Derbyshire, UK. October.

 

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Stretched chewed gum across the frame formed by lollipop sticks

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Sadly, the chewing gum started to flake as I failed to remove all the sugar and the surface was too thin hence it started to tear.

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Felt that the structure was too geometric as I intended for it to have a more organic structure.

 

FINAL MODEL

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YASSSSYAYYYYYAHOOOO IT DIDN’T TEAR AND MANAGED TO RETAIN THE STRETCHED TEXTURE OMGGGGGGGGYASSSSSSSSSSSSSSSSSSSSS

Was inspired by tensile structures. I really like the taut curves formed by the planes of textile.

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Hyper-Toroidal Deep Surface Prototype | Boyan Mihaylov and Viktoriya Nicolova, ICD Stuttgart, 2011

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GRAINS OF UNAPPRECIATED LOVE

A bowl of rice causes a rift between the granddaughter and grandmother. She prizes food in her life and gets frustrated when she has to eat food which she doesn’t enjoy. Despite knowing her dislike for rice, her grandmother still continues cooking it. After a long, exhausting day of school, she returns home only to find that her grandmother has cooked rice again. Her irrationality got the better of her and her rash action hurt her grandmother deeply. (sort of based on my personal story, I’m not really a fussy eater but I get frustrated when I have to consume food which I dislike. Thus, I would say my emotions fluctuates based on the food I eat. As someone who has difficulty suppressing or hiding my emotions, I would just vent her anger and as a result act rashly and say or do things to hurt my loved ones.)

As this film unravels how the we often treat our family members the worst and take them for granted as we know that at the end of the day, they would still be there for us. Grains of unappreciated love reveals itself to be a record of the heartaches and frustrations of an ordinary family life that highlights the importance of cherishing familial ties through a subtle illustration of our inability to value the little things and people around us. There is one emotional constant that lingers long after the film ends, Gratitude for the quiet love of our own families.

There isn’t a clear resolution to this film as I felt that there wasn’t a need to include a scene of the granddaughter making up or apologising to the grandmother to show how their relationship is patched up as we know that her family is her constant and they will still be there no matter what. Hence, with the second last frame (zoom in on photo frame held by granddaughter), it suggests that, by hinting that family ties are like water, they won’t separate even if you part them.

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Started with this story board but when I started shooting, the photos I shot deviated slightly from what I had intended for the scene to be composed.

 

APPLICATION

  • La Jetée → I varied the duration between the frames across the entire film. For instance, after the granddaughter returns home to find that her grandmother cooked rice again, the duration between each frame is shortened. Whereas for parts where I want the viewer to focus on the visual or when I want to set a mood, I lengthened the duration between each frame.
  • Playing with lines → Vertical + Diagonal lines: causes anxiety and dynamic atmosphere,  helps to express the tension and unease                  rice3
  • Semiotics → broken bowl | broken relationship
  • Chiaroscuro → makes the scene more dramaticrice
  • Framing with openings

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  • Closeup → highlight the importance of the frame 1112me-closeup13
  • Establishing shot → setting the context