Our lecturer Ms.Joy commented on my previous and quoted, “What about, then, the role of ‘tinting’ due to their own upbringing or indigenous use of colours prior to commencing on these portrait photography works? How then does this insider, or even, inside-the-insider (since this is such an introspective project) internal ‘lens’ guide you in your compositions and/or colour usage? “. In Japanese photography painting, there was Felice Beato who expressed his view as a foreigner in Japan, and there were Kimbei and Enami who defined their works as a local. Their difference in nationality shaped a contrast of presentation in their works. Now, the country is myself, and I’m the ghost slash resident of my body. Therefore, you are able to see how the following work can be differentiate as how others see me, and how I see myself. Disclaimer: For those who didn’t read through the visual journal scans in the previous post, here’s a recap and elaboration of my concept. Sit tight, it’s going to be a long ride.

There’s always something on my face as it signifies my current commonness in the world. I’m nobody yet, I’ve not construct a final form, a true self to face the world. But I’m the lead character of the following frames, therefore the objects can be eye-catching to the viewers and leave an impression. Plus, it covers my face, so my actions speak the loudest.

ME

adaptable ADAPTABLE: I am adaptable, which I am proud of in terms of changing living location. Growing up in a hostel since secondary school, like everyone else, I developed a self disciplinary adjustment to suit myself in strange environment. Well, of course Singaporean post-army are trained better. (Explanation of each frame’s composition.)

  1. However, I never like to be put into strange environments, so is anyone. When I first arrived Singapore, I haven’t met any friends from either local or my home country. I don’t like to be alone, especially being at somewhere I don’t know yet. The RED ORANGE bench signifies a new community breed in the complementary BLUE, an insecure faith that can be either exciting or disappointing place. I am sitting awkwardly on the bench, in YELLOW ORANGE, unable to fit in yet as I am slightly different from the new community.
  2. Sometimes, I can be desperate to resolve my loneliness. I need someone to deal with the new life with me. But, usually, it doesn’t always go the way I want. The BLUE VIOLET dominated the whole environment and appeared to be darker than the previous frame. The ORANGE bench changed lighter in hue but the darker environment signifies a worsen situation I am in. A YELLOW me is trying to optimize my attitude towards the surrounding. Usually, my optimistic view takes time to construct. A really long time.
  3. My own color changed along the color wheel, indicating my change to be a better adapter as well. The environment turned VIOLET as it can be worsen or improved depending on my own perspective. The bench turned YELLOW ORANGE, offering a YELLOW GREEN me, an newly independent being a chance to settle in it.

+

stubbornSTUBBORN: I am stubborn sometimes, and always uses my own ways to complete certain task. Usually trapped by my own opinions and thoughts, my overthinking is so imaginative, it can be write down onto a script. I’m currently not flexible enough to go further as I am still letting my emotions to control many aspects in my life instead of my logic. After adapting the environment, which turned GREEN as it became ideal and comfortable, the ORANGE me is in a vibrant satisfaction, (As you can see through the tinting.) does not let go of the VIOLET bench, the past and old things I found favorable.

=

meME: One lucky sonofagun that managed to survive with a conformist attitude because he met great human beings throughout his life who help him through his worst moments. I’ve met so many great people that most of my life owe a great debt to them. My family, friends, ex-crushes, teachers, you name it. I caused most of my downs in my life but it was them who pushed and advanced me to a better place. The color changes in the frames are following the TETRAD order in the color wheel. The VIOLET background signifies my immense in my own favorites and my RED friend is the driving element for me to shift from the safe GREEN bench another environment. As the for the last frame, the BLUE background foreshadows my arrival to another strange environment.

BETTER ME

thoughtful

THOUGHTFUL: The painting used was my sister’s (www.sijieloo.com) painting Listening to the Orishas, acrylic on canvas. 36×36″. I regarded myself being not as thoughtful as a member of a society should be. I’m only thoughtful towards the categories I’m interested in. So thoughtful is the trait that makes me a better person, for the ones I love, and the ones who love me. Staring at an empty canvas with rich expression and thoughts projecting in the back of my head is how I wanted to express this personality. The mundane GREEN was lightened up by my thoughts and the VIOLET hue hinted inspiration possessed by me in a trustworthy BLUE shirt.

minus

minus procrastination

PROCRASTINATE:  I tend to do this a lot. By removing it, I can achieve more, be what I want and do what’s necessary for my better future, before giving myself too many excuses. In the frames, my enjoyments in the serene BLUE was taken away within the change of TRIAD colors. The pen is my necessities to advance forward in a climatic energized RED.

=

better meBETTER ME: An anti-conformist. I was pulled away by responsibilities (The pen.) in an analogous colored path. I painted myself in BLUE as it doesn’t fit in the color set, meaning I won’t be settling down until I achieved what I want.

IDEAL ME

creativeCREATIVE: As a wannabe creator or rather an artist, creativity is one of the things I craved the most. The ideal me will constantly be able to see the world in many perspectives and always think out of the box. Creativity is so abstract that it can’t be obtained instantly, but to gain through training and gaining knowledge. The BROWN box is a discordance to the purple analogous series starting from BLUE VIOLET to RED VIOLET.  Yet a BLUE GREEN umbrella appears to harmonized the frame by forming a TRIAD, symbolizing my ideal flexibility within being creative. Without it, there will be stubbornness.

x

experienced

EXPERIENCED: An ideal me should always be prepared for any circumstances, be resourceful and thoughtful while meeting certain problems. This might take a long time to achieve as experience varies with time, but comparatively we are wiser everyday. It’s not necessary to boost my experiences instantly, but the more of it the more I can advanced. The color of wisdom BLUE VIOLET is painted on the umbrella, protecting the ideal me through the rest of the TETRAD color as they advanced from a safer minor GREEN obstacle to greater influential YELLOW ORANGE and finally to an intense obstacle colorized as RED.

=

ideal meUNIQUE: Perhaps an ideal me is a unique being. Recognized by all and ignored by none, or maybe on the contrary? Perhaps an ideal me can stand out from the crowd being unique for being extraordinary, for what I am? What I do? Or, What I left? The idea of that expressed with me in a creative RED VIOLET, still be able to stand within the COMPLEMENTARY YELLOW GREEN, with the previous items remaining the same for continuity.

ME IN 5 YEARS

Here’s the part where I was inspired by Edward Hopper’s walls that restrict his paintings’ characters.

minue stubbornminus STUBBORN: Me in 5 years is an ambiguous stage. Who knows? Maybe I removed my stubbornness, letting go what I’ve been desired for too much, embracing what I was given. DARK YELLOW GREEN wall as my spiritual obstacle, BLUE GREEN pants signifies my freedom, an ORANGE me embracing the sky without restrictions.

+

skilledSKILLED: Perhaps after 5 years of learning from the great people around me, I potentially surpass the teachings and be skilled enough to challenge the vast world. My color painting ends when the ME IN 5 YEARS left the window, as nothing can define myself who’s in the outside world.

=

me in 5 yearsME IN FIVE YEARS: There will be infinite possibilities occurring on me, maybe going up, maybe tumbling down. These possibilities are determined by, as I fly through the sky (outside world) with different colored wings. (Many version of myself. Sounds poetic?)

[To be continued…..]

Last time, I spoke about Japanese photography painters. These terms are surprisingly new to me considering I’ve read many photography magazine but none of them mentioned these innovating styles. Like George Melies, these pioneering “color photographers” are the ones who proved photographs can be colorful as well.

War photographer Felice Beato was one of the first photographers who introduced journalist photography. He shot and reserved hundreds of rare war photographs from the east where and when the Qings still reluctantly ruling China, including the Opium war between British and Munching China. Later before he settled in Burma, he opened a photography studio in Japan, teaching Japanese citizen to learn photography. And among these disciples, there are Kusakabe Kimbei and T. Enami.

2966216_orig beato beato artist-with-a-brush-photographed-by-an-artist-with-a-camera-ca-1915-28-by-t-enami-1340429480_org japanesedream4-560x403_440 beatofelice-beato-19th-century-photos-japan

Felice Beato captured a variety of Japan during the Meiji period. He was permitted to shoot many of the unforeseen Samurai Culture, reserving the image of the real Samurais and Japanese soldier, and introducing this little country beside China to the Westerners. Therefore, the viewers felt like tourists, observing Japan as a foreigner, just like Beato.

kimbei Kusakabe_Kimbei_-_Writing_Letter_(large) Kusakabe_Kimbei_-_22._Girls_Dancing

Kusakabe Kimbei’s worked in a different style compared to Beato. As a local photographer, he mainly explored the world of Japan’s female, including the geishas. Kimbei used plenty of color to create a lively atmosphere of geishas’ dancing yet with the same techniques, he depicted various woman in their unique characteristics, such as a mother was painted green as a soothing character, a young woman with pink pigments to embrace her youth.

japan-vintage-farsari-tenami FUZZY_SLIGHTLY_WARPED_AND_LAZY_DAYS_in_TENAMIS_YOKOHAMA_STUDIO.123201755_std enami6559fb9682_ot enami fuji

T. Enami or Nobukuni Enami, also captured the life of Japanese, but as a local. Through the lens of Enami, viewers are able to see the daily life of Meiji’s Japan as Enami shows not only the famous samurais and geishas but common citizens as well, giving us a glance of the working society.

enami6559fb9682_o 2966216_orig beato felice-beato-19th-century-photos-japan t enami fuji Kusakabe_Kimbei_-_Writing_Letter_(large)beato

As you can see, the three photograph painters used almost the same blue in their photographs, yet they depicted different environment and meaning in their photographs’ characters. Such as the serenity around Mt. Fuji, the symbol of honor in a samurai towards his master, the commonness in working labors, and even the intelligence of a writing woman.

japan-vintage-farsari-tenami

beato

Even depicting almost the same theme, you can see the different expressions through the use of color. Their motto was not recreate realistic colorization but sending subtle messages to people who view the photographs. Thus they didn’t colorize the skins and unnecessary items. A little color altering can go a long way.

Inspired by their work, I combine the motives I had from the previous and attempted to colorized my photos in different possible ways. In the meantime, after some research I finally found a color wheel that simply summarized how we have been using color to express different emotions and environments.

emotional-and-psychological-meaning-of-colourWith the help of Photoshop, I am able to create a few colorization style by selecting different layering of my pure colors. These methods included layering a portion of B&W photos with semi-transparent color. (Sneak peak!)

test work

This is just a test photo.

better me 4

Or tinting them entirely with the hue to create a film style from the 60s. Movies in the 60s tends to tint their whole scene into certain color to express atmospheric tension, before color correcter was invented.

better me 1

By color correcting the photo’s, we can still see the original colors, but the tint can be seen as well. This is what movies nowadays usually do, but in a more subtle way.

me 5

The color scheme used in film has to be created using real props with similar colors and software editing. Since I can’t do that much during the production, I figured why not express my concept in an eye-catching way by covering the details in the same color. This way, viewers can see the colors far ways and able to capture the details when they’re near to it.

ideal me 5

Also, I tried to recreate the effects of the mentioned photograph painters. This effects only show color of the key element in the photo, providing each of their own meaning in the image.

Lastly, the pictures below are my journal’s snapshot showing my thought process. Don’t worry if you can’t recognized my handwriting. I’ll type them in my next post when the final results are uploaded as well.

20151115_195943 20151115_195953 20151115_195957Adaptable + Stubborn = ME, a lucky sonofagun that miraculously met great friends and survived.

20151115_200006 20151115_200010 20151115_200016Thoughtful (In any aspect) – Procrastination = BETTER ME, an anti-comfort person, at least willing to be defy comfort.

20151115_200153 20151115_200035 20151115_200039Creative x Experienced = IDEAL ME, standing out in an extraordinary way, with what I am, what I do, and what I left.

20151115_200054Skilled – Stubborn = ME IN 5 YEARS. Freed from my limitation, with infinite possibilities awaits.

[To be continued…….]

Time sure flies fast, a week has passed and you definitely realized the previous post was filling last week’s spot.

So, ignore my imperfect blog maintenance.

cropped2

Excuse my handwriting. Side note: DIPLOMATIC was later changed to ADAPTABLE, I’ll explain later.

As you can see from above, these are my finalized equations for EGO. (Spoilers~)  I got to admit all these properties might seems hard to be hard expressed by my concept: Using aspect ratio 16:9 and frame photos like it was from a film shot, and present it accordingly like it has a story accompanied by linear perspectives. The photos are not shot in color but monochromatic, which will later colorized monotonously with Photoshop to present hand-painted photo effects.

IT is a long concept name and I’ll explain how they were thought out. Firstly I wanted to show my interest in terms of future major in the project (as suggested by Ms. Joy.) and film’s usual ratio 16:9 is the obvious way to present what I planned to do in my future career. Soon, I came across a video that analyze Edward Hopper’s Nighthawks.

1024px-Nighthawks_by_Edward_Hopper_1942

I’ll focus on its visual rather than its message. That’s in another level.

Edward Hopper’s usage of colors was simple yet striking and memorable. It shows a simple perspective planned picture that we might see in real life. I then wondered if I could achieve this effect as there’s always too much complicated background colors I can’t alternate, and I am not such skillful painter either. Either way, I have to come out with something. So, I sketched out my compositions first.

20151108_151206

Somewhere in the pages you can see Wes Anderson’s name, a director who utilized perspectives, symmetry and colors to produce stunning shots.

Soon after, I remembered there’s once a time when filmmakers painted the films frame by frame to produce color films. The part of colorizing black and whites sprung from my mind while I was composing the final frames.

rsz_scientists

I must admit, it’s Scorsese’s Hugo that taught me about one of the pioneer of filmmaking, George Méliès

Ms. Joy suggested more artists who did the same to not film but photography during the consultation. She told me to study the following artist: Felice Beato, Enami Nobukumi, and Kasuka Kimbei. They are pioneers in color photography as well and try to understand how and why they choose their colors when they were given the ability to do so. I’ll present my research of them in my next post and now I have to move on to my equations first.

As I said, most of my properties given by my classmates are formed through experiences and mistakes, some only appeared to certain people. I’m not saying they’re not my sincere personalities, but there are some traits that portray me from the start to develop these latter traits. For instance DIPLOMATIC is a word I agreed initially, as I always performs as the middle man among friends and dislike unnecessary conflicts, basically try not to speak the wrong words. ADAPTABLE on the other hand isn’t born with me as well, but it does summarize my ability to cope various environments, which happens throughout my life. I’ve always considered my daily routine flexible wherever I go. The same statement goes with me among my friends as I am usually the one who compromise. It’s a good thing for trying new stuff, but too passive in a way that I usually follow along where life took me to.

As for the rest of the properties, they’re subconscious flaws that sometimes stop me from advancing. Sometimes I was slowed down due to traits I lack, therefore these traits ended up in the BETTER/IDEAL zone.

I am eager to show you my finalized frames but I rather show them in my next post. It is because they’ll reveal too much and were incomplete as well. I obvious won’t hide merely 10% of it. So keep on anticipating!

(To be continued….)

Not the literal meaning though! So after two weeks of intense brainstorming. (Which basically for me is staring at my visual journal MOST OF THE TIME, am I being too honest?) Okay back to the point! Here’s my progress of conceptualizing my EGO.

So, what is me? what am I? Looks like we are never too early to experience existential dilemma. To sum up all my thoughts, I preferred to refer the conclusions of me from the previous activity.

20151022_153529

Yep, this one.

Here’s me summarizing all the properties of me that was shown to my classmates throughout the semester.20151108_151048

There’s a saying that bystanders see the game better, so I assume this is the almost accurate depiction of me. However, living with myself since birth, I (supposed to) know myself best. After a few hours of revisiting my memories of two decades, I concluded that some of these personalities shown cannot fully depict what I am YET. This is because they’re built up through my experiences and mistakes, and some are just specifically shown to certain persons, what really catalyze them may not be on the list. Then it hit me. These catalysts maybe are the one that formed what I am, and some of them is just not that good to admit.

20151108_151051

These little jottings really helps me to understand what I need. Sorta like talking to myself.

20151108_151056

It may looked you-don’t-say, but at least it clarifies me better than my cluttered brain.

To explore the catalyst that might hidden in my subconscious, I forced myself to write down at least 7 of the equations I can formed with the properties written in the previous page as nominees for the finalist. This seemingly effective self exploration exercise took hours to finish, but it certainly aid my understanding to myself.

20151108_151056

Hope it helps YOU to understand more about me as well.

20151108_151128

I used color markers to indicate repeated properties I used. Some of them are what I have, some are what I wish to have, some are what I wish to not have.

Gradually all the catalysts, properties I wish to have, and properties I hope to remove surfaced. Just as I was writing all these equations, a concept was formed in my head thanks to the video I shared in the previous post. It was at first sounded a bit troublesome, but in some way I knew it can represents myself. Right after I finished the tedious equation forming, I quickly jotted down the concept that was freshly unfolded.

20151108_151151

Hope you don’t mind its blurriness.

This concept is a freaking challenge for me. After conceptualizing it, I asked myself, can I really find a way to express it. Some part of me screamed, “YOU FREAKING MORON, HOW ARE YOU GONNA STAGE THESE SHOT INTO WHAT YOU WANT AND DO YOU THINK IT’LL BE CLARIFYING?”

One week later, I proved myself wrong.

(To be continued…..)

Finally after a week of considerations, my nursery rhyme was set to be ONE TWO THREE FOUR FIVE. I don’t need to explain that this IS a rhyme since almost everyone who was born before the millennium knows it. A progress is a progress, so I shall place the full rhyme below.

One, two, three, four, five,
Once I caught a fish alive,
Six, seven, eight, nine, ten,
Then I let it go again.
Why did you let it go?
Because it bit my finger so.
Which finger did it bite?
This little finger on the right.

I felt nostalgic when I saw this rhyme during my research as it was one of the English nursery rhymes I first encountered in the language. So I figured, it has a perfect flow of story and able to be visualized with real objects, suitable for my choice of nursery rhyme.

The first challenge I faced was the concept. Then I remembered that DADA artists uses things we can immediately recognize to convey their intentions in a unconventional way. In other words, try to be indirect with iconic symbols, in this case, dingbats. So my orientation will describe the words indirectly even for “one”. Thus the following visual journal sketches were created.

20151012_223013 20151012_223018 20151012_223024 20151012_223032The arrangements were made by copying the selected dingbats on my computer screen. I figured this way of planning can shorten my processing time. Also, I always have a clearer mind with it comes to hand-drawn sketches. After a few modifications, I am happy with my sketches and thus moved on to the software.

 

 

 

 

 

One of the main character of the rhyme is the fish. It got caught and bit its catcher for its own escape. I can’t just find a fish dingbat to fill this badass place. To be honest, I just can’t find any fishes in the dingbats collection considering it is a basic creature. Thus I thought of being ‘resourceful’ in my own way and built a fish from the remaining dingbats. As you can see, this fish was made out of a bee, a pair of woman lips, leaves, flower petals, SBS double decked bus, and an umbrella.

20151012_223047

I had fun composing the fish. Suddenly, I thought, why not substitute it with the luxurious items I found among the dingbats? The fish in the rhyme can be interpreted as the material needs that we occasionally obtain. Sometimes these needs cost a certain price, therefore “bit” us in the finger. We can’t keep what wasn’t ours.

20151012_223040
Therefore, a fish composed from a bracelet, an unknown branded handbag, a sport car, a high heels, a Mac, an ancient coin, and another set of lips just to make it lifelike.

12345 once i caught a fish alive - Copy

A bear holding up a high five. Four well dressed lads. Three Trees. A balance scale which require two sides like the justice it represents. The one ring to rule them all.

678910 then i let it go again2 - Copy

Ten fingers. A howling caNINE. Eight spiders. Seven saxophones (Saxophone is the closest thing I can get to shape like the number). 3 Satans’ mask, for the sake of satan’s phone number.

Why Hitler? Hitler was one of the victim of the needs — power. Also, his gesture looked like he was releasing a fish.

wdylig bibmfs wfdib - Copy

“Why did you let it go?” Captain Picard says to the strutting Leo as the questioned tweedle dum/dee looks at him. Leo might think he’s an angel in heart for releasing the fish who secretly celebrates its victory. But Leo reveals the truth with diamonds.

Diamonds may not shape like fish teeth, but they certainly have the shape to form a vicious set.

delittlefingeronmyright - Copy

The little finger on my right, represented with a can of pills, signifies it’s the one in pain at the time.

Thanks for reading my whole process. I really had great fun doing the pictures. It’d be a good experience if it wasn’t constantly interrupted by my laptop’s faulty back-light. Hope you find my exploration interesting. See you soon in my next project!

Due to the fact that it would be pretty much a blur after zoom for the photo. Here’s the video that goes through each and every lines in my final work! (Unframed.)

I’d say this project is a satisfied work for me. Yet there’s definitely some flaws in my final work, such as the aesthetic of the work. It’s a pity that I didn’t choose to try more methods of creating the patterns. Compared to my classmates works, my work lacks variety of materials and techniques. I believe some of the lines can be improved through different types of approach. This project has taught a lot to me and I hope that I can jump out of my own restrictions in my next project.

-END-

DSCF7409

The first thing I did was reviewing every lines I chose for the first inked draft. The review was performed with conversation between me and myself. Sounds depressing, but I found this quite useful in terms of concentrating. So I wrote out every verbal description of my lines. (The good thing about describable work is I can know what am I doing. haha.) Next, I commented on each of the description and determined whether they should leave or stay. Feels like the judges on any reality shows.

What’s next? Back to the thinking chair. In this case, the visual journal.

DSCF7410

Anxious: Missing stuff might cause anxiousness yet not serious and obvious enough. Embarrassed: Finalized.

DSCF7411

Nonsensical: First I thought of politicians but this concept is more of a picture than a line. The arrow with messy vectors signifies the messy side-plots in nonsense movie and yet again not in favor.

DSCF7412

Ambiguous: The dragon body was finalized with a room of improvement. The flames and clouds can be the hint of direction but it did not function like I expected.

DSCF7413

Fragile: It got its new inspiration from Exhausted’s spider web, with some little details added in the finalization.

DSCF7414

Systematic: The original line didn’t worked out as I hoped. So the line was revised and got a new symbolic answer.

DSCF7416

Turbulent: The new version is tricky to think because not much of fresh representation came into mind. These designs also lack subtleties.

DSCF7418

Distracted: What if someone got distracted when drawing crosses? Exaggerated and reluctant.

DSCF7420

Sensual: This is a finalized idea but it would only work if the branches are completed in full size.

DSCF7421

Sloven: The idea is tough as its definition can only be seen in a larger picture. Yet I don’t want it to be too simplified.

DSCF7422

Sloven: This was done by pencil sometimes later.

DSCF7424

Spontaneous: Finalized idea.

DSCF7425

Indecisive: I’m indecisive about this as well. The main inspiration comes from the theory of multi-verse and story plot possibilities.

DSCF7426

Aggressive: The emotion can be easily defined with lacking of depth. So the phrase was discontinued although it’s expressive for me.

DSCF7429

Turbulent: It was revised again at this point.

After listing out the ideas, I recalled one of the suggestion Ms.Joy gave. Since the depth of the lines are not equal, viewers might found it not interesting as it contains sudden drops of subtlety. Therefore, I can make a spectrum of subtleties to give out an ascending impressions of my work, hence the rearrangement in the last photo. This is also one of the reasons that I chose the A1 format. Moreover, the my concept doesn’t not consist of pairing and comparisons. I intended to show the whole picture in one so viewers can read the lines one by one.

[To be continued]

A visual journal to me is a compilation of my ideas, outcome of inspirations and observations. It can be a record of my creative progress for different assignments which can influence each and other. It can also be a room for conversation with myself, in terms of discovering what the heck I am thinking. There are a few challenges for my visual journal. One, whether or not I can keep up the habit. Two, I will possibly be limited by my own definition of image creating. Three, the uncertainty I have on the direction of my recording style. — Me in NTU Blackboard.

.It’s been a long journey from scratch till the presentation. In the beginning, I intend to let my hand do all the work, which is imagine myself into that certain emotions and let the pen creates the pattern instinctively.

 

DSCF7393

Anxious. Impatiently drawn with no consistency, including the straight lines.

DSCF7394

Bizarre. Trying to be as random as possible, but with regulations.

DSCF7395

Embarrassed. The line is drawn by a shy person. Constantly covers the line he drew.

DSCF7396

Fragile. Visualized with cracks, thin lines, glass panels, splitting string, muscle tissue, heartbeat, and loose sand.

DSCF7397

Exhausted. Visualizing the perception of exhaustion.

DSCF7399

Turbulent. My first thought was the flowing elements like liquids and air movement. But it could be projected as insecurity.

DSCF7400

Nonsensical. Do not make sense, do not need to. So I went without any rules.

DSCF7401

Psychotic. Can be portrayed by the results of splatting or the gooey feeling that needs to be released. OR, just use the words of sound made by a psychotic man who ran wild.

DSCF7402

Ambiguous. Supposedly drawn to avoid comprehension and conclusion of the shape. Like where do they face? what are they?

DSCF7403

Distracted. Intended to let the viewers to get distracted by something.

DSCF7404

Sensual. This one went on by instant flow of the pen.

DSCF7405

Sloven. Nothing is regulated by any sort. I attempted to produce something messy.

DSCF7406

Spontaneous. Inspired by fireworks, cell division, smoke and jumping dots.

DSCF7407

Aggressive. My pen was highly abused at this point. “I do give a shit” is the phrase I always shout in mind when I’m (and by the time WAS) angry.

DSCF7408

Indecisive. The regulations of the line keep on changing. They just can’t make up their minds.

All the premature lines are made in the moment, so their starting point are just as naive as I was. And so the end result of the first inked draft was presented with different intention.

DSCF7433 DSCF7435 DSCF7434

Our instructor, Ms. Joy found subtleties in some of the lines, especially those which ended up in the final work. She encouraged me to work on the new discovered strength of mine in the project. Therefore, a new orientation has appeared.

[To be continued]