You’re God**** right. —- Walter White, Breaking Bad. (Not a fan yet, just because it kinda fits.)

Project 1, TYPOGRAPHIC Portrait Problem has finally ended, and there goes my first presentation of the semester.

So, to make up the whole progress, I’m gonna start from where I stopped.

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I’m not a big nerd on architecture, so I decided to stay as an interested audience of the art of buildings and cut off the composition from my set to fit the 4-frame-project. Moreover, filling up the building’s shape did not work as strong as my other compositions in terms of subtleties, and fine tip pens are not challenging enough either. Cutting away the pedestrian paths and underground tunnels are due to the potentially overcrowded components. Since its idea was started from the escalator itself, so I just simplified it as the medium is a tough tool to control as well.

TYPOGRAPHIC PORTRAIT PROBLEM

My Name is

20160218_182525and I’m a logical person.

During my city exploration, I was unable to use internet data or GPS due to my financial restrictions. Thus, all I can rely on from getting lost are the locality maps from the MRT stations, and the STREET SIGNS on my way. This method of navigating shows my logical attributes when finding my way in the city.

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Once I am familiarized with addressing format of a town, I won’t worry about not finding the certain locations as these street signs aided me big time. Also, I think I got my directional sense from my dad, so retracing my route was never a problem either. (Unless the scale and complexity of the city was too overwhelming.) I’ve paired the idea with collage making, the medium used by DADA when they first establish. Therefore, I considered it as a form of real life photoshopping as it requires certain amount of logic to piece every component together. The street signs are chosen based on all the streets I’ve been during my stay in Singapore. Some were photographed on the spot, some were screen-shot from the blessed Google Street, therefore resulted the major difference in their brightness. To find my name, just simply spell out the missing letters that were replaced by the white boxes, and you’ll be logically reading my name, just as the piece intended to be.

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However, it certainly has flaws. From the feedback of my fellow classmates, they were distracted by the sign posts thinking that my name hide between the negative spaces. After my clarification, they liked the idea of hiding what I wanted to show in this typographic portrait.

My Name is

20160218_182512and I’m not afraid to be weird in front of the citizens.

Why the caption? This is because I often (not always) ask stupid questions when I’m exploring around the city. I am thankful to every pedestrians who’ve helped me when I was confused or oblivious about the directions. (Yes, despite how confident I sounded just now, that do happens.)

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There are different faces in every trip, and I definitely can’t remember how they all look like, that’s why I chose to design them in monochromatic black-clothed figures, which symbolized how rare we meet each other again. I wanted to present many identities, therefore I scratched through all my memories on the streets, in the train, or in certain locations. The figures are designed with identifiable common gestures. There are arranged in a way that you are able to see my surname LOO for a certain distance, which achieved how unrecognizable I was in a big city. The medium I used for this piece is water color. Mistakes made by water color can be easily covered or blended out, thus suiting my piece of not afraid to ask the wrong questions. (Mainly also because I am less likely to see these individual again.)

How my classmates mistaken it as a printed work was a compliment to me, even though some have commented that this was a little out of place among my whole project. Moreover, not everyone are able to see the hidden surname in it. Perhaps a better design need to be implement for a better effect next time.

My Name is

20160218_182423and I’m a confident person.

That’s some big words to say. I believe my confidence are shown clearly in my previous piece, but the confidence is difficult to build. It requires many assuring factors and abilities to form my confidence, just like how the Singapore MRT connects the cities. (This is not an advertisement.)

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Testing for the right hue

I resembles confidence with MRT not only due to they’re confident that no station was wasted in terms of utilization, but also due to how confident they are with their arrival time estimation. Back in Malaysia, it was until the 2010s that our public transport placed the arrival time in their clocks as they are constantly late and delayed in the previous decades. Singapore MRT did not disappoint me with its estimated arrival time almost every time. (Yes, almost, because there was some breakdowns.) I picked the piece to represent my middle name JUN as this attribute only can be seen by people who began to know me.

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The piece was drawn by Sharpie and Faber Castell’s markers. Their ink penetrates the paper easily therefore it needs to be used lightly. Using it tested my limits in controlling their color tone, perfecting the circles, (I’m still a human after all.)and maintaining the straight lines without any ruler. (Many illustrator are able to do this, so I considered an challenge from my idols.)

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The feedback for this are mostly positive, so I was relieved the whole composition worked out. The bigger challenge is to make it recognizable to the viewers but avoid making it too complicated.

My Name is

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and I’m a curious person.

An escalator form a bird eyes’ view is how I express my curiosity. During my exploration, most of the MRT are either in the elevated or placed underground. Thus much of my exploration time was spent on this particular transportation. It is the fundamental portal I must go through to see a new street, a new surrounding, and a new city. Within half a minute taking the escalator, my curiosity towards the scenery I’m gonna witness elevated as well for the next 30 seconds. For this new found attribute that’s been hidden a long time, I paired it with my YUAN as it probably can be seen by people who knew me well or solely myself.

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To suit such special attribute I found in the escalator and myself, I’ve chose the method of print-making. I’ve cut a template out of a slightly heavier paper and cover a piece of an alphabet shaped paper with the template. I believe my curiosity is not as black as the machine’s original color, so I chose my acrylics as the coloring medium. Acrylics are way thicker that water colors but their saturation resulted a ideal tone for this piece. The thicker they are, the easier it became a disaster. I had to redo a couple of times before I am happy with the end results, and the disaster happened during a desperate times. (the night before submission, my friends.)

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Some of my classmates are intrigued by the idea of taking a new perspective for the neglected machine. The overall project was appreciated and I am happy for what I’m able to do with my new limitations. (not doing the film things.) Ms.Joy has commented that the work accomplished its purpose for leading the viewers to a new perspective of my hobby, and it can be further enhanced by placing the piece in different spots.

The work was a success for me despite the aesthetic aspect of my classmate works are better. However,  I could learn more in contextualized my future work from the beautiful works of my classmates, through this project. (Perhaps a better time management would be good as well.) As always, I am looking forward to everyone’s next project.

Thanks for reading!

My concept for typography portrait has finally progressed and an idea worth anticipating is formed. YAY! My new concept is: CITY-BOY, where my personalities are shown in the forms of urban facilities illustrated by various traditional mediums.

City culture is one of the things that KL and Singapore had in common. It shows how far human being had advanced and how human community thrives for a better living. The city shows a more distinct variation of forms and views for me. Don’t get me wrong, I like natural sceneries as well but natural landscapes shows the trails left by the elements; cityscapes shows the trails left by the human society. Therefore I find the city interesting when you can deduce human nature in through their physical creations.

I wanted to explore subtleties again in this project after inspired by Ji Lee’s “Word as Image”. Subtleties wasn’t shown in my last concept even though Ji Lee was one of the artist I’m trying to refer. Therefore I want to make sure that his subtle manipulation of words was in my new concept. While doing so, I also want to try out more traditional mediums since the LINE project in order to step out from my photography media.

vernacular typography

Vernacular Typography

I searched for a few sites related to my new ideas. Most of the city/urban typographies shown are the ones produced by citizens for occupation/marketing purpose. Vernacular typography.com and The Journal of Urban Typography tumblr documented many handwritten signs, sprayed signs, billboards, and gold signs in NYC.

tjout

The Journal of Urban Typography (tjout@tumblr)

There’s a form of city typography created with special fonts on beautiful city photos. These Instagram-worthy photos did not fit my concepts very well. Later, I caught a glimpse of collage typography which impressed me with its dada-ish and constructivist style.

city typo 3 city typo 2 city typo 1

collage typography

Collage typography, advanced? version of Constructivist Typography

Some of the G-1 folks also gave me some instant suggestions. (As in what pops up in their head after hearing my title.) Since my arrival in Singapore, I’ve always feel that every outing trip to the cities is like going into a new world. There’s a different atmosphere for each city so I have to think of something that conclude my explorations along with traits I hope to show. I shall choose the aspects of the city that I approached the most. Therefore I picked the following aspects.

visual journal 1

  1. Street signs
  2. Public transport
  3. Architectures
  4. People
  5. The public paths: Pedestrian roads, escalators, and tunnels.

street signs escalator

These aspects are the ones that show up in every of my trips, and they represented some new traits I’ve never presented. I’ll explain their relevance in the future.

I match these new traits with the traditional mediums’ specialty. Collage making is paired with STREET SIGNS; Sharpie art with PUBLIC TRANSPORTATION; water colors will be the execution for PEOPLE; fine tip suits best with ARCHITECTURE; and print making is matched with THE PUBLIC PATHS.

visual journal 2

I wrote the properties for the designs only as I haven’t figure out the details until I have enough resources and experiments. Other problems included my demand of traditional materials, (tools and paper types.) how I plan the color choices, (again) and how to fit/cut my concepts into the newly announced 4-frame-format. Despite all of the above, trials and execution time will be the greatest challenge for this project. Perhaps my future post for this project will include a lot of my fails attempts. Hope not. (Crossing fingers.)

Thanks for reading my renewed conceptualizing stage. See you in my next progress post!

(Imitating dramas narrators in the title.)

First stage of conceptualization!

Due to an unattended class trip for 4D, I went to visit SAM with 2D inspiration searching as another reason. Turns out there is some interesting reference worth exploring.

Based on my last research/exploration on the Internet typographers which impressed me, my initial concept for the typography portrait are:

  • Subtle changes on fonts to match the content.
  • Performs object typography.
  • IF required, the object typography will be made of photograph collages.

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The first group ideas of all the portraits varies in styles. They included

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Green Zeng’s Siapa Nama Saya?

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Dawn Ng’s Mamashop and HDB Corridor.

  1. Compositing my name with T-shirts, showing my identities as a Malaysia, who has an enjoyable memories in high school, came to NTU, getting use of uni-life. (Inspired by a piece (top) from the installation ONCE UPON THIS ISLAND)
  2. Using another piece (bottom) from the installation ONCE UPON THIS ISLAND, a photo with all my items of interest compositing some of my name’s letters while the rest are cropped out like the piece above.
  3. Arrange my downloaded movie files into my name via Window Explorer.
  4. Arrange clips into my name in an editing software’s timeline. Captured with screenshot.
  5. Collages of my name’s letter made of directional lines in Google Maps.
  6. Photo collages of cityscapes and school’s landscape with and without my friends.

You must be wondering, why didn’t I elaborate more?

After a consultation session with Ms. Joy, I realized (with the confirmation of Ms. Joy,) not only my concept, in terms of content, does not have a solid theme. Moreover, I exploit again on my interest in films, which Ms. Joy warned me to not exhaust the subject before I even enter my major courses. I was advised to find potentials in other traits of mine to explore, in many other ways, even in my current concepts. Such as, in what kind of lens viewers can view through? What sort of medium can I utilized rather than photos? Is it absolute to use human as the subjective?

Thus, I have new objectives to pursue for this semester, which are, try to explore other versions of me, what else can I show myself as? Try NOT to imply things that people knew about me into my work again. Give my audience a fresh new impressions.

Oh my, I have a lot to brainstorm this week. Hope I progress!

Two weeks in and HELLLLLLOOOOOOO project number 1!!!

Remember what we do about projects? Research! This time, we get to do Typography, the area of art that I’ve seen a lot but still being strange about it. Initially to me, typography are art pieces with fonts that had been created by the mass and was decorated with or immersed into forms, shapes and colors to give the words an eye-catching properties. Usually this kind of art are seen in webpages that likes to quote famous figures, or simple short do-you-know facts. Not only it’s eye-catching but also effective for netizens with short attention span.

Personal views aside, the lesson I had been on last Thursday had opened my eyes to the diversity of Typography. After listening to all the researches my classmates did, I saw the subtle side of the genre, that Typography doesn’t have to be literal, yet being contextual in the meantime.

SO, back to my research. Technically, they’re not intended research materials, but originally typography posts from the Internet that I was impressed of.

ji kee

The first artist I wanted to talk about is Ji Lee, a Communication designer in Facebook. You know this guy has some talent in him to be able take on an important position in one of the biggest company in the world. The series that impressed me the most was his Words as Images. Most of the words in these images use the same font and were only tweaked a little to match the properties of the words. However, viewers got its point almost instantly as it’s not too obvious, yet not too subtle for the public. I admired its brilliance of balance both and the entertainment it gave. Also, the minimalistic style it possesses certain is a plus from distracting the viewers compared to other over-exaggerated typographies.

meganleescienceThe prints above are the second piece I’d like to talk about. Megan Lee’s  Rock Star Scientists also consist of uniformed fonts but accompanied by again, minimalistic illustrations or silhouette of achievements of each famous scientist respectively. Viewers who love science instantly recognized this names and understood its context. The design doesn’t seemed too nerdy and in contrary gave these influential achievements a fashionable makeover. Science seems so cool again! (Correction: Science IS cool.)

dangerdustThe works above are done by two anonymous students who named themselves Dangerdust. These work varies in fonts and styles, suiting the figures they’re quoting. Although some of their designs are too complicated that they sometimes covered the quotes, but most of them are well balanced in terms of scales and positioning. Most impressive of all is that they are done on blackboards, giving the context of educating the next generations with words of wisdom.

object typography

Lastly I want to talk about the methods. I came across these styles of typography and they stayed in my head as a genre. Building typography with everyday objects has interested me, and made me wonder if I can do the same. Ms. Joy later suggested me to look into whether they should be done by put together like a puzzle to form an alphabet, OR using objects that suits the content and yet has the form of the alphabets I wanted. This methods of typography is certainly something worth exploration.

In conclusion, these art works above I found impressive have the potential to influence my next project. Hopefully I’d be able to create something as contextual as Ji Lee, as mind-changing as Megan Lee, as thoughtful in terms of medium and aesthetically beautiful as Dangerdust, and possibly done in object typography. (Cross fingers.)

Side note: The reason I don’t prefer DADAism as a reference is the fact that I want it to have a meaning. The fact that it creates great effect is undoubtedly true, but this time, alongside Russian Constructivism, they’re not the right style for my current project. Although their ways of positioning the components to attract viewers attentions is marvelous and worth studying.

Thanks for reading!

(I just couldn’t resist)

I admit I kind of gotten rusty after the semester break, so hopefully the new semester will get me back on track again. Soon enough, the first homework of 2D second semester has been appointed by Ms. Joy.

HELLO MY NAME IS_________

While resisting the temptation to gag about the title with Adele’s latest hit, this exercise prompted me to elaborate myself who am I again. (Well, resistance is futile.) Throughout the module, I am able to express my personalities and interests with ease, which I think is a good start. All my ideas sprung instantly from my mind during the exercise briefing, regardless of whether it’s interesting enough for others.

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Final draft of TYPOGRAPHY

In the first nametag, I have to represent my subject with TYPOGRAPHY. So for this, I’ve used a few fonts to associate my interest for films. Through an Internet post, I found the most popular for movie posters are BANK GOTHIC and TRAJAN. Thus, I decided to make my last film interest reference into my English names.

trajan bank gothic

The whole piece is created by combining my Chinese name in the calligraphy font KAITI and English names together. I’ve tried to do this a long time ago but usually it ended up kinky. Fortunately this one worked out except I can’t figure what to do with my JUN. Then I just decided to create my own typeface for it as my uniqueness between references and interest. After that I halved the whole thing into black and white to show that there’s both side of me waiting for the viewers to discover. Adding a pair of glasses and voila, here’s a typeface that explains many basic information about me.

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Final draft of ABSTRACT SOLUTION

For the second nametag, it have to be ABSTRACT solution. This part took the longest time to construct. The first idea that hit me was the assignment “LINES”. However, I was thinking of using the process of drawing as the intention. I planned to do tedious patterns to show how I view complexity. Ms. Joy encouraged me to make more out of my content. So, I revised it and came with another concept. The structure was simple patterns filled with patches of my favorite/spirit colors. These colors are close in temperature and value, yet covering different portion of the space. Each color patches seems to have their own function or existence in the solution yet performed differently in terms of standing out. The reddish purple seems to stand out more than the cyan even though the cyan covers more. This idea suggested different aspect of me standing out in different extents. These aspect might be my talents or maybe my good traits. The visibility of these aspect can only be decided by the viewers, they will see some aspect of me first, but that doesn’t mean my other aspects are gone.

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As for the CONCEPTUAL nametag, the part which I tried to think like Salvador Dali, but then my mind told me, “not in a million lifetimes.” I was inspired by how I brought up the unsatisfying LINE concept a few minutes ago. I’ve realized how easy I am to get stuck onto certain mindset or thoughts that can be easily proven bad. So, to express such personality of mine, I used this retro toy robot as the medium. Instead of an advance tech robot, retro toy robot shows how young and inexperienced my skills and thoughts are, yet there’s plenty room for improvement. The light-hearted colors were chosen to suit the expression. The robot design made the ring on its head logical, and can be assumed this might happen again. The colorless objects showed they are not the possession of the robot, signifying they’re probably others’ tools of assistant.

Before, I finalized my concept, Ms. Joy suggested that transition in terms of timeline can be implied into my concept to link them together. So here’s how time is implied. I’ve placed Chinese calligraphic fonts alongside ancient English fonts together to show they’re creation from the past. TYPOGRAPHY shows what I am already. typographyAs we progress, the percentages of blacks and whites reduced into lines, wobbly lines, inducing uncertainty. Just like how abstract art considered modern art, ABSTRACT SOLUTION shows a present me but have to be defined by others. abstract

You may say robots can symbolized future, so CONCEPTUAL is the future part of the timeline. As the black lines greatly substituted by colored lines, CONCEPTUAL contained my wish for an astonishing future, and what I will be. A resolution to escape the mundane ordinaries.

conceptual

It’s nice to be back to foundation 2D and the brainstorming. I have to remind myself, this is just the warm-ups.

Thanks for reading.