Zine Project: Back to the Future in Chinatown!






|| For my Zine: Locale project, I decided to pick the area of Chinatown since I’ve never really thoroughly explored the area before despite having been there on a few occasions during Chinese New Year. So I thought that this would be the perfect chance to get to have a nice adventure around the area on my own!


The slides below are a compilation of the primary and secondary research that I have done at the site:

Chinatown was made into a social enclave for the ethnic Chinese immigrants in 1822 when Sir Stamford Raffles first founded Singapore.

The general Chinatown area is actually split into 4 major areas, Kreta Ayer, Telok Ayer, Bukit Pasoh and Tanjong Pagar. The sites with more tourists and things to see are the Kreta Ayer and Telok Ayer region, where you can find all the souvenir stores and temples!

Kreta Ayer is named after the water carts that were pulled around in the past because accessible water was usually far from homes. This gives us insight into how Singapore used to be a not-so-well off place, compared to now.



It would literally be impossible to miss these shophouse style architecture around Chinatown. There are different styles, as one can tell from the window decoration. They could be first, second or late transitional, or art deco style shop houses from the colonial times that are really iconic to the venue.



There are bronze sculptures littered around Chinatown of its inhabitants in the past such as Rickshaw Pullers, Samsui Women and Coolies that came from China to Singapore in hopes of better job opportunities. Many immigrants that came here toiled hard and worked tough jobs. 

After reading a book called Kreta Ayer I borrowed from the library, I learned a lot more about the lifestyle back then. Samsui women, for example, “could be found in construction sites, digging ditches, scooping sand and cement, and carrying stones and bricks.”  They also had a hair combing ritual called the Golden Orchid Pledge which they swore celibacy by. Areas used to have a more morbid past such as Sago Lane having death houses and opium dens while Keong Saik road was basically a red-light district with many brothels where pipa women would work to entertain men.



This giant mural near Maxwell Food Center was made by ACS students and is one of the most popular murals at Chinatown!



One of the iconic temples there was the Thian Hock Keng temple – Temple of Heavenly Happiness, which I happened to step into randomly (had no idea about it before reading Kreta Ayer). It is the oldest Chinese temple in Singapore and is dedicated to Mazu, the Goddess of the Sea that people would pray to before leaving for voyages at sea. When the 2nd World War came to Singapore in 1942, Chinatown suffered the brunt of Japan’s frequent air raids. There were no air shelters and with Chinatown being so crowded, casualties reached as many as 2,000 a day. During the Japanese Occupation, the loss of jobs caused thousands to turn to hawking on the streets.


Here is an audio recording I took while inside the temple:


You can hear the sound of a bell which I rung, out of multiple bells there that catered to different wishes!


Of course, we really can’t miss the most iconic temple in Chinatown: the Buddha Tooth Relic Temple! It is said to contain the real Buddha’s tooth (which….I actually highly doubt so because my sister once told me she saw the relic on a tour and it was like… some sort of jewel?) 

The prayer hall is really massive and sparkling golden and the moment I saw it I had already decided that it was a contender to be in my middle spread.




Here’s the Chinatown Food Complex! I’ve been here with my family once, the food is so expensive TvT As expected of tourist sites…
The complex is meant to revive the idea of al-fresco dining in a street setting. It re-opened in 2014 with an internal cooling system and high-ceiling glass shelter. The street hawkers, operating out of nostalgic mobile carts, recreate the good old days of open-air eating.


The area of Telok Ayer and Club Street is well-adorned with an abundance of pubs and bars.

Now, I don’t drink, so I can only imagine what kind of heaven this area of Chinatown is for alcoholics.

Here are where many of the shophouse architectures are as well, and is one of those spots artists like to go to to sketch.

Club Street is named after the Chinese Weekly Entertainment Club, and exclusive social club founded in 1891 for the English-Speaking Straits Chinese elites.


Needless to say, there are a ton of shops, especially along Pagoda Street, selling souvenirs ranging from hip shirts, to paintbrushes, to just… really weird stuff.



I found this quote in Urban Sketchers’ Chinatown book, and really relate with:

“Chinatown offers me neither a sense of identity nor belonging. Yet I take great pleasure in walking its streets, secretly revelling in its contrived nature, while seeking out the genuine connections people may have to the place.” Nursil

a, social worker.


Here is a video made up of a bunch of smaller clips of the things I saw and heard walking around Chinatown:

There are multiple juxtapositions of pop culture and old architecture.



Initially, I was looking through a few styles to come up with a style for my zine because I felted kind of daunted by the task of filling up 8 pages of a zine on my own.

How about an Alice in Wonderland style illustration book with me meeting mythical creatures in Chinatown?


Perhaps I could do it like Dr Seuss books; spaced out compositions with some fun text?



All this history talk also reminds me of Night at the Museum, perhaps I could bring historical figures alive?


The possibilities were endless with a zine.


It wasn’t until I was chatting with a senior until I realised that Chinatown and the world of Ghibli’s Spirited Away had uncanny similarities, especially with the lanterns and all. I mean, this:

versus this?

At this point, I’m practically Chihiiro (the protagonist).

So I drew myself as her.

It gave me the idea of a tour.

And then it struck me: if it was so hard trying to imagine myself back in old Chinatown, why not bring people in the past back to modern Chinatown?

We could bring people like the rickshaw puller, coolie and samsui woman to present day Chinatown to witness the fruits of their labour and have fun while at it!


And so begin my humble project:

I spent a good hour learning how to make this font on Illustrator by following this tutorial:

Yay! Now I know how to install new fonts, control gradients and distort my text!


I thought hmm… I literally have over 260+ photographs. It would be a huge pity not to use any of it.

It would also be a huge pity to make them black and white (I toyed with the idea of viewing Chinatown in monochrome but someone did it already, plus Chinatown is so vibrant, that it would just be a waste.)

So I decided to make a photo compilation infused with digital illustrations that I really enjoy doing!

Below are some of the individual drawings I did on FireAlpaca programme:

I grew attached to the characters and decided to call them

  1. Coolie (short for… uhh Coolie)

2. Rickie (short for Rickshaw puller)

3. and Sammie (short for Samsui woman)


I was thinking about my back cover where I had to include my contacts and there was no way I was going to miss the chance to but my name on a sign :)))

(Something like this)


I also forgot to mention earlier that around the same time of doing the actual graphics, I did a sketch of the entire zine.

To plan the content of the zine, I listed out several ideas on Notepad first to filter out which photos mattered the most or told the most stories.

Then I proceeded to create a rough sketch by placing elements around the pages to see how they work out. There’s no other way than to just do it and trust your eyes.




After intense drawing and vector graphic making, here are the final pages!




The title of the zine and illustration would be smack in the middle to focus all attention in the middle. The diagonal arrangement of the lanterns in the background and the logo makes the composition a lot more dynamic.



I drew the three musketeers (Coolie, Rickie and Sammie) hanging around Chinatown Food Complex ordering food and included the description on Al-fresco dining at the bottom! Shirley helped me to create the PERFECT header and I was honestly so amazed by how adding a simple rectangle with complementary colours in the title would work so well!!!! I have learned something new again. I placed myself in the middle of the two pages so that they would be seen as a group instead of being two separate pages.


Pg 1:

Here are the three musketeers again, having fun around the various kinds of shops in Chinatown. (Coolie in the clothing shop, Sammie in the medicinal hall, and Rickie having his fun jab at an Ofo-bike). I tried to mask the images into more dynamic shapes that also helped to create visual hierarchy.


Pg 4 & 5 spread: As promised, here is the majestic landscape spread of the interior of the Buddha Tooth Relic Temple and I think it looks as awesome as I had imagined.


Pg 6 & IBC: On the left page, I added content about Club Street and booze. The colourful vomit in the middle (which is a warped watercolour mark with a gradient colour overlay) joins the 2/3 area to the 1/3 area of Chinatown Bingo! I decided to add in bingo since it was a really popular trend that was going on during this period and I figured it would be a fun way to make the zine interactive, as well as give suggestions for more areas of Chinatown to visit since I can’t fit all of its greatness into 8 pages only.


Back cover: Here I overlayed a continuation of the photo from the front cover on top of a photo of a couple strolling with shadows of lanterns on the floor.

I added an engraved effect to an illustration of a map I did for the presentation slides. And there it is! My name on a sign!

I also did some cool vector illustrations of the 3 musketeers.



I spent soooooo long trying to get the PDF exportation right because I didn’t have Acrobat 🙁 But using the school computer, I managed to do it by expanding my text and packaging the entire zine!

Here is my physical baby!





Class zine cover page grid!




– Reflections – 

Some difficulties I faced and things I learned:

  1. Facing the epic task of creating a layout for 8 pages of zine out of pure content researched by ourselves was pretty daunting. I was trying really hard to think of a style to follow, and I think it helps to talk to people about your idea, you never know what fresh ideas they have!
  2. Creating hierarchy for the header. I was having a hard time thinking of a way to make it stand out more until Shirley just smacks on a blue box with yellow font and all of a sudden it gives my zine 20 times the amount of life it had compared to before. I think this taught me to be more daring with using elements such as shapes and colours in my design. Just because there are photos doesn’t mean your font has to hide!
  3. How can I miss out learning how to use InDesign? At first, I was extremely not pleased with how confusing the blue and brown boxes were, but I gradually managed to get a hang of it after placing 1304910294 photos into InDesign for this project. I thought that InDesign was quite useful when it comes to layouts, and I also learned about how designers would use placeholder texts to gauge word limits. I thought that was pretty amusing since I always thought the number of words dictated the design, but I guess designers have the power too!!!
  4. Exporting InDesign files as .pdfs for printing! Oh boy did this process take a long time for me, but now I know the importance of Adobe Acrobat!
  5. I think another important takeaway is how to translate research findings into material for a zine. By going down to the sites to experience them first-hand, it really gives us the genuine motivation to want to create content about something and share it with others, as compared to if we were just to simply do some Googling online.






|| Image Making through Type ||



In this first project for Graphic Form, we have to translate the essence of a job (that can be imaginary) into visual, typographic forms of our names using any sort of media.


Since the jobs we chose were not specified to be pragmatic/realistic, I started off by brainstorming up some ideas for imaginary jobs that are grounded in the essence of real jobs that exist in reality. I came up with a list of existing jobs and modified them by merging them with each other. This would not only help me come up with much more interesting outcomes, but also give me a wider range of job fields and their nature to explore. Thereafter, I searched up the jobscopes and items that are iconic to these jobs to make them easily identifiable.


Initial Shortlisted jobs:

  1. Baby DJ
  2. Pool Colourist
  3. Professional Liar
  4. Alien Communicator


Click here for research and process post!



My name is

and I’m a Baby DJ playing them hit lullabies like Rock a Bye Baby and Twinkle Twinkle Little Star!




My name is 

and I’m a professional liar helping you bury your sins; office @ 222 Baker Street!




My name is

and I’m an alien communicator! -Beep Beep-




My name is

and I’m a local pastry chef lah!

What do you want to be when you grow up?

|| Image Making through Type ||



In this first project for Graphic Form, we have to translate the essence of a job (that can be imaginary) into visual, typographic forms of our names using any sort of media.


Since the jobs we chose were not specified to be pragmatic/realistic, I started off by brainstorming up some ideas for imaginary jobs that are grounded in the essence of real jobs that exist in reality. I came up with a list of existing jobs and modified them by merging them with each other. This would not only help me come up with much more interesting outcomes, but also give me a wider range of job fields and their nature to explore. Thereafter, I searched up the jobscopes and items that are iconic to these jobs to make them easily identifiable.


Initial Shortlisted jobs:

  1. Baby DJ
  2. Pool Colourist
  3. Professional Liar
  4. Alien Communicator



  1. Baby DJ

Original job inspirations: DJ, Infant care nurses



DJ: to play music at events entertain, mix beats to hype the crowd up. Has to be well-versed in different sorts of music. Usually playing loud music at social events to give enhance the lively mood/atmosphere.


Infant care nursesCaring, patient, organised, responsible, nurturing, taking care of delicate babies




Turn table, disco ball, headphones, vinyl records, MIDI keyboards, audio editing softwares, bright neon lights, Launchpad device

DJ turntable

Infant care nurses:

Babies, cribs, cots, toys, wooden blocks, soft toys, pacifiers, mobile toys, diapers, blankets, nurse uniforms, needles, diapers

Objects related to babies. http://clipart-library.com/clipart/di4565nLT.htm
Baby mobile toys that have the possibility of including multiple elements/toys into them.

Idea Generation: 

Marshmello – ALONE – [Launchpad Pro Light Show]
This example of a Launchpad light show demonstrates that users are able to intentionally program the sequence of lights on their device to form different images.
I decided to map my initials of YL onto a digital illustration of a Launchpad and make the buttons neon. The background ]would be repeated patterns of pacifiers and a pastel shade. Pastel shades are generally seen as more gentle colours that serve to convey a sense of innocence, purity, cleanliness that are seen of babies.

Words like “lightness” and “ease” come up a lot in conversations about pastels. Sallie Harrison, the designer and photographer in L.A., says that pastels evoke a sense of “calmness and balance.” Stewart points to light blue and its connection with spirituality and heaven; (Leatrice) Eiseman at one point related soft colors to infancy, when there was a sense of ease and safety because all of our needs were taken care of. These feelings can be connected to the social and political factors at work, as Eiseman pointed out while listing her considerations for color of the year.

(Leatrice Eiseman is an American color specialist, who assists companies in their color choice in a range of areas, including packaging, logos, and interior design. She is the executive director of the Pantone Color Institute, a division of Pantone, Inc.,[1] and the author of six books on color, one of which won an award from the Independent Publisher’s Association.)



However, this draft did not really display the elements of the job in the letters, rather, they put the letters into a context. When the letters are taken out of context, they do not effectively portray the essence of the job of a Baby DJ anymore.

Therefore, I embarked on a mission to try to integrate the essence of both a DJ and a infant care nurse together into my type.



Brainstorming pt. 1 I tried to integrate the buttons of the DJ Launchpad into the letters, and find a way to include elements of babies into the font as well, such as the foam letter toys and letter cubes.
Brainstorming pt. 2 I tried considering the context of the type as well by including the element of the mobile toy.


Exploration of button placement and lighting effects of buttons on the font in FireAlpaca.
Attempt at recreating the neon effect in Illustrator on 3D font made by beveling and extruding the shapes and adding several layers of glow on the outer edges of the font.


It was really difficult trying to recreate the multiple button effect in Illustrator because the 3D extrusion function and art mapping was not exactly user friendly. It took a pretty long time trying to render every single 3D object as well. Thus, I tried only extruding the foam toy square, while leaving the neon letters on the square. In the draft below, I had mapped a wooden texture onto a star shape. I tried to map a foam texture onto the foam squares to recreate a more accurate foam effect as well but there were way too many surfaces, so I stuck with a gradient effect. The background has several layers of lighting effects as well to try to recreate that of a dance club.


Attempting to use highly contrasting neon pink and blue lights since these are colours are energetic and associated with clubs.
In this draft, I tried out using different complementary colour pairs to get the foam pads looking like toys instead so that it would be more indicative of babies.

After relooking and consultation, I felt that the bokeh, strobe light and cloud effects were too strongly suggestive of a DJ instead of babies and did not convey my intentions accurately since I wanted to be a DJ that could put babies to sleep. Not make babies get up and dance. And so, I embarked on quite a different mission to change the composition to a more child-friendly one.


With this draft, I switched from using Illustrator back to FireAlpaca because I am very much in love with this analogue brush that I downloaded and it makes everything look more organic and doodle-y rather than cold. Instead of putting the letters into the foam pads, I decided the incorporate the peripheral pattern of the foam pad into the letters instead, and leave in the circular neon shapes to indicate buttons on a Launchpad.



After finishing a rough sketch of the composition, I lined the artwork with thinner, black lines.
Oyasumi (Goodnight) poster by Takashi Ueda.
I happened to chance upon this poster which I thought was very interesting because of the use of contrasting colours that added energy, and yet was mellowed down by the use of dimmer colours to show that the lights are off and it’s time to sleep.

I wanted to use the colour schemes of artworks used for lo-fi hiphop videos on Youtube since they’re really pretty and also make me feel calm and relaxed looking at them. Usually, there are pastel, mellow, analogous and warm colours.

Art by: saree @sarlisart on Twitter


Art by: himmoon (https://virink.com/himmoon)



Art by: Pierre Broissand (https://www.artstation.com/artwork/KWxJW)


I tried my hand at recreating this colour scheme by using dull colours and mostly warm tones. Dull colours would also help to contrast the neon effects to come. I also added an atmospheric glow in the middle to indicate that the letters are glowing.
Using my experience of creating the neon lighting effect, I lit up the periphery and added neon circular shapes into the foam letters.


I then found and added a foam texture onto the letters. This was so much easier to do on FireAlpaca than on Illustrator since I could adjust the opacity and edit the shape of the layer simply by erasing it.
In the background, I added some bokeh lighting effects to show that the lights of the neon letters projected far out. It also added to the overall calm atmosphere of the composition.
Anddd… here is the final composition! I think it was definitely a good move moving away from using Illustrator for this job.



2. Pool Colourist (abandoned  D:)

Original job inspirations: Pool maintainer, bath bomb makers



Pool cleaner: Needs to be committed, works on a regular basis, cleans the pool by throwing chlorine in

Pool cleaning machine?

Bathbomb makers: Manufacture bathbombs by compacting colourful powdery compounds into spheres to be thrown into water and dissolved to colour the water in bathtubs


Pool cleaner: Water ripples, Pool tile patterns, pool cleaning machine, lifebuoy

Bath bomb makers: Bathbombs, rubberducks



Emphasis on the CHANGE of colour


Mediums for consideration:

Use marbling technique/ decalcomania] put something when pressing down to form letters

(non-stick paint?)

Marbling plus splatter using wet on wet technique

Letters will be ripples

Test wet on wet

Dripping technique


Attempt at marbling!

Medium: Nail Polish


3. Professional Liar

Inspired by: Detectives, police officers, interrogators, investigators, compulsive liars



Investigator: Find out the truth about a situation by sieving through documents, going onsite to find clues for cases.

Compulsive liars: Can make up a tall story about anything at anytime. Might be useful in some situations to get away with something for the time being. Hiring someone that knows exactly what to say could be really useful. It’s definitely a dirty job.



Investigator: Magnifying glass, newspapers, files, Sherlock fedora, briefcase, mugshots, interrogation table

Compulsive liar: words, speech, Pinnochio nose, Suprematist/De Stijl works to represent the truth


For this draft, I used Malevich’s Black Square to represent the simplistic truth. Lies would be represented by colourful strings to show how pleasant looking things can cover up the truth that is difficult to understand. The contrast between the sturdy black square and the wavy, flowing rhythm of lines would make the composition more dynamic.
Some strings I bought from Daiso. I tried using them but they ended up being too thick.
I happened to chance upon this paper cut composition which I thought was interesting because it looked like the paper was concealing the faces.
And so, I also considered doing a newspaper collage which would partially conceal the black square, similar to how the media could sensationalise and cover up the truth of the matter. Here I am thinking of how to incorporate letters into the composition as well, most likely with a collage of letters.


I came across this image of a heart created by winding thread around nails hammered into a wooden board. I was thinking of another way to recreate it so that it would not be too risky since with this method, tension in the strings is key and the moment something goes loose, the entire thing will come apart.


I wanted to explore a new medium which I didn’t get to try out last semester so I looked into sewing. I have some prior experience of patching up my own clothes and buttons so it wasn’t a monstrous task to overcome, so I decided to try this method out. I found this font type that used thinner thread to create neat, vertical strands that filled up the width of the letters, and bound several layers of paper together.





Idea sketch for the making of the composition. I decided to use black felt because it was much easier to sew with than paper, which was in comparison very thick. Underneath the felt, I would do a newspaper collage. In this case, newspapers would represent legitimate black and white documents, thus the “truth”, and the black felt would conceal most of it. I would then sew a random pattern over the with of the letters to create an interesting texture and at the same time make the letters see-through so people can see the words on the newspaper underneath. I used black felt and red thread to express the secretive and dangerous consequences of lying.

Medium: String, Paper, Newspaper


While testing out the sewing technique, I realised that just by sewing in the width of the letters would still make them a little unidentifiable. I chanced upon this image and it gave me the idea to sew around the periphery of the letters as well to make the letters stand out more.



Here is the actualisation of my idea! I created a newspaper collage behind the widths of the letters, picking out the pieces with the most words. Then, I used a cardboard backing so that the felt could be supported. Also, if anyone wants to try this method out, PLEASE cut a bigger piece of felt because when you sew the letters together, it contracts the entire piece of felt.
Peekaboo! You can see the newspapers inside~ Now, I used super glue (like the actually really strong kind) to glue the felt to the cardboard, so it did kind of have a chemical reaction and burned the felt. The burned area was really obvious. ;;;


I covered up the burned marks using smaller patches of felt. I decided to use a regular tessellation pattern instead of creating a massive effect because I wanted to portray a professional liar with a calm nature that can lie with a straight face.
Here’s a closeup of the texture! Overall, I think this piece has helped me to explore with more mediums that I’ve never really gotten to try and it produced a really tactile result!

4. Alien Communicator

Inspired by: Astronomers, Crop circle artists



Astronomers: To study outerspace; investigate the presence of life-forms on other planets.

Crop circle artists: Create geoglyphs on large expanses of crop fields to trick the public into thinking that aliens are real. Also to practice an impressive new art style.



Astronomers: Satellites, space suits, rockets, shiny metallic objects, outerspace themes, solar system

Crop circle artists: Crop fields, lawn mower, felled grass, alien motifs



Some brainstorming thoughts for style/mediums:


Very circular designs

Design in firealpaca first

Paper cuts?
Light shining down

Digital 8 bit style?

Sleek font


Wacky colours-futuristic

Metallic colours?


After brainstorming, I settled for doing a crop circle artwork myself!


But first, I had to do some research on the patterns of crop circles. And so I did.


Crop Circle Fun Facts!

Crop circle art is a relatively new art form. In crop circle art, crop is bent and not harmed in any way. Most crop circles have either laterally symmetrical or radially symmetrical art. They could also be completely unsymmetrical and representative. The possibilities are endless.

The most telling feature of crop circles are their stunning geometric shapes and patterns that make it hard for people to believe that they were really created by human beings on such a large scale, and so a lot of people would rather believe that aliens did it.

I borrowed a book on crop circles by Michael Glickman to study the common features of crop circles:

[Glickman, Michael. 2005. Crop circles. n.p.: Butleigh : Wooden, 2005., 2005. NTU Library Catalogue, EBSCOhost (accessed February 10, 2018).]



Common features of crop circles:

-Circles and rings




-Alton Barnes (enigmatic keys/claws)

-Rings Between Circles





others like -orbits,snowflakes, triangles and squares


Radially symmetrical composition with tons of rings, almost resembling a whirlpool because of the swirl of the lines from the center outwards.
Alton Barnes crop circle. Here we can observe bridges across rings, which is cool and all but the most iconic thing about this crop circle is the gear/crank looking protrusions coming out, giving a mechanical nature, and evoking a sense of modernity/technology.
Laterally symmetrical representational composition of a jellyfish in a field in Oxfordshire.


In this draft, I tried incorporating the different patterns that I had learned, as well as letters of my name. However, this did not include the essence of the job into the letters once they were extracted out. So I decided to look into crop circle font.
Most of the search results that came up showed fonts like this that were ultimately… Alien webdings. Which is cool as a code and all, but no one will know how to read my name.
I found this font which did utilise rings, bridges and insectogram feelers, but the patterns could be more diverse.
And then I came across this one that used only rings, but at least it incorporated the pattern of the crop circle into the letters themselves. This inspired me to build on this concept, while including a larger variety of patterns.


Here, I sketched out some of the above mentioned features of crop circles and found ways to incorporate them into the individual letters. I decided to put the letters into a circular shape as well since it would contribute to the overarching circular/geometric motif of crop circles.
On FireAlpaca, I constructed a draft of the crop circle art. I was planning to use this as a stencil to cut out the letters on an actual fake grass patch from Daiso but… you’ll see later.
Yeap, here is the grass patch I was planning to use, it was about 22cm by 22cm.
I tried trimming down the grass on an extra bit of the grass patch to see how obvious it would look.
Unfortunately, after trimming, the letters could not show up. I even used brown acrylic paint to try to bring out the letters but the paint couldn’t show up and the space was too small too. Much to my dismay, I had to abandon this medium. But not all hope was lost!
I decided to turn to trusty digital imaging. Now I haven’t really done heavy editing before, so I was starting on a clean slate. Wrecking my brain over how to make the image as realistic as possible, I was blessed.


This tutorial was absolutely FANTASTIC. It was clear to follow and produced a really realistic effect. You can also use any stencil with a transparent background you have created, and following quite a long but comprehensible procedures of producing a screen, bevelling and embossing and tweaking lighting settings, you can create your own realistic digital crop circle artwork as well. By following this tutorial, I managed to play around with the blending effects a lot more, which I had always been quite unfamiliar and apprehensive about touching before this project.


After many attempts and disappointment, I finally managed to achieve this super realistic crop circle effect that could convey the essence of my alien communicator job through the grass medium I had originally wanted to use, just digitally. I really have to thank the person who uploaded that tutorial!!


5) Local Pastry Chef


Inspired by: Chefs, Singaporean Hawkers



Chefs: Professional chefs that pay close attention to the process of cooking, as well as garnishing and presentation of food.

Singaporean hawkers: Specialise in catering to the Singaporean palate, making local cuisines like Chili Crab, Bak Kut Teh etc.



Chefs: Chef hat, wok, spatula, frying pan, ingredients

Singaporean hawkers: Chili crab, bak kut teh, kueh, fried rice, hokkien mee, yong tau foo


Kueh Compendium by Naiise
It was decided that I was going to use kueh as a medium since there are so many different types and they are all really colourful (and tasty). Recalling that Naiise has a lot of products designed based on local pastries, I decided to search up references and low and behold, there was an entire catalogue of kuehs to choose from! I didn’t even know some of these kuehs existed. https://cdn.shopify.com/s/files/1/0175/9848/products/KuehUltimaxwithnamessm.jpg?v=1495785705
Here, I drafted and started planning which type of kuehs to put into each letter. I tried to include as many types and colours as possible, and also considering the characteristics of each kueh and whether they could be molded into the shape of the letters. For e.g., for more complex forms, I tended towards kuehs that were layered so that the layers could be the characteristics incorporated into the letters. Also, for the long capital letter L, I used the correspondingly lengthy pink png kueh because it was suitable.
In this draft, I tried to imagine how the colours would turn out based on the use of different kuehs. I was going for a more home-y feeling as well so I wanted the background to be of a wooden texture, and the plate to be either clean or the blue-white/flowery traditional ceramic types.


Medium: Kueh, Photography


After spending QUITE the amount on about more than 10 kuehs (but it was worth it because it was really fun making and eating them afterwards), I crafted out the letters of my name in kueh. I placed the kuehs in a flowery ceramic plate and sprinkled some brown sugar over to complete the garnishing. I edited the original picture by adding some filters which gave the photo a warmer and home-ier colour tint.

Kuehs used:

Y- Kueh lapis sagu (Jiu Ceng Gao in chinese)

U – Kueh salat

E – Ang Ku Kueh

L- Png Kueh

I – Ondeh ondeh and kueh talam

N – Pulut Inti

G – Kueh Lapis


This project was pretty challenging in the sense that we had to create letters that could easily communicate the essence of our jobs. Since I also decided to go with jobs that are inspired by at lease 2 traditional/existing jobs, it was tough trying to incorporate elements of both jobs to balance out the elements equally. However, through a rigorous process of refining my designs, I would like to think that I have managed to do so. ;;; XD

With this project I also wanted to explore the use of other mediums, which I think I managed to do successfully! Although it was not a smooth process throughout, with many failures and disappointments, I always recall the saying that artists should “Fail faster” so that we learn from mistakes faster and can get on with improving our projects. After failing with the intended mediums, I tried to find alternate options that could express my intentions on the same level, if not, surprisingly better.

Through this project, I was also able to get more comfortable with Photoshop blending modes that I have never ventured to touch before. Fiddling around with the settings for making the neon glow and crop circle really taught me the massive capacity Photoshop has for creating realistic illusions.

All in all, I really enjoyed this project and had fun trying out different mediums instead of just ink/paint. Looking forward to the next Zine project!