STRÄNG

STRÄNG Final Installation by Brendan, Bryan and Yue Ling

 

End-of-Sem Project Proposal:

 

STRÄNG

(Time-Space Warp Simulation)

 

STRÄNG is a wordplay on Doctor Strange’s name (who bends space and time) which means ‘string’ in Swedish and is also coincidentally related to the string theory about how our reality is shaped.

 

A superpower simulation that mimics the bending of space and time. There will be a clock mimicked by a running LED strip with RGB bulbs. There will be a one way mirror layer in front of the LED to create an infinity mirror illusion. The mirror will have a circular hole cut in the middle so that people can move their hands inside, and be able to touch a sheet of felt material. The RGB lights will change from blue to red across the rainbow spectrum when they do so (will add sound if time permits), and the running lights will start running at a slower speed.

Aside from that, there will be a servo motor behind a larger sheet of the same felt material away from the mirror that responds to the action by moving the sheet, thus creating the illusion that the participant’s hands are moving the sheet without actually touching the sheet. Whenever the motor moves, the LED lights around the frame of the material sheet will light up as well. In this sense, participants can feel like they are bending both time and space.

Things needed:

  1. LED strip
  2. Wood material for the box (probably will be spray-painted)
  3. (Elastic) Felt material
  4. Frame to hold felt material
  5. Servo-motor (have to fix something on it)
  6. Diffuser frame (borrow from film store)
  7. Ultra-sonic sensors/touch sensors.
  8. Speakers (If time permits)

 

Stuff to code for:

  1. Code for LED running strip (colours and speed)
  2. Servo motor.
  3. Response between touch sensor in the box and the servo motor on the other side

 

 

In the end, we had 2 main codes and used 2 Arduino circuit boards. One was for linking the LEDs and ultrasonic sensor while the other was for linking the flex sensor and servo motors. We shared a lot of the coding workload so it’s hard to be definitive but if we really had to, it would be something like:

Bryan – LEDs

Brendan – Ultrasonic sensors

Me – Servo motors

Challenges faced in the form of advice for future programming students:

 

#1     Do not go shopping at Sim Lim Tower on a Sunday.

#2     Go to Continental Electronics Pte Ltd #B1-23/24/25 to get WS2811 LED strips which are programmable by Arduino. Those lights are pricey though, 1m for $18 but do it for the project!

#3     If you do not take IM 1 and are deprived of your free Arduino kit, do get wires. Lots of them. Get the male to female connectors too.

#4     Nope, you can’t laser cut glass. Only acrylic mirrors from Artfriend (one costs $26)!

#5     Example codes and libraries are your best friends! We tried coding the running light pattern by ourselves one evening for around 3 hours but still couldn’t figure it out but then I found an example code and it solved like 80% of our problems. Just trust open-source culture.

#6     Yes we have flex sensors that can be borrowed from the film store. If you get the one soldered down you need male to female connectors.

#7     Loose wires were a huge problem for us, we had yet to try hot glue but it’s worth the try! Getting longer wires would probably have helped!

#8     The fabric of the black flag borrowed from the film store is way too tough. We just used Bryan’s old shirt. (We really wanted to use a stretchy material like Spandex initially but that’s too expensive)

 

Future Developments:

This installation may be small (because we’re on a low budget) but imagine being in a room with a massive infinity mirror where you can change its lighting using gestures! When you raise your hand in, motors move the other side of the room! T r i p p y

On the day of presentation we didn’t include music, but when we set it up the day after in its proper orientation and played music, it really gave the installation the atmosphere it needed!! Really important element for immersion.

Also do give a proper preface to your viewers about your installation! A well-conveyed context isn’t only fluff!!! It gives the installation more meaning and affects the way the participant views the artwork!

It is probably worth the try to place the ultrasonic sensor behind the thin piece of fabric and propped up by some piece of foam instead of placing it directly at the end of the tube since it was easily accessible by the participants and they could have just pulled it out.

P.S.: I just named a picture of the LEDs “strang” + “led” but I realised it literally spells “strangled” oh god

 

PICS OR IT DIDN’T HAPPEN:

 

By default, the LED lights are a combination of warm hues. The light gradient is also rotating at a quick and steady pace.
As the participant’s hand reaches deeper into the tube, the distance sensed by the ultrasonic sensor decreases and this changes the hues of the light to cooler hues and slows down the pace of the light rotation.
When the participant’s hand reaches all the way to the end of the tube, the lights change completely to a bluish hue with purple light rotating.

 

Here is a video of a demonstration done by our participant Jacob in the video below!

As the participant’s hand reaches the end of the tube to touch the cloth material at the end of it, they can push even further to bend the flex sensor. This changes the resistance read by the sensor and thus triggers the 3 servo motors coded for in the same program.

Is this burning an ETERNAL FRAME?

|| The Eternal Frame (1975) is a videotaped reenactment of the assassinated of John F. Kennedy’s assassination by Antfarm which seeks to draw attention to the power of the mediated image.

 

Antfarm is a collective of radical artists founded in San Francisco in 1968 by Chip Lord and Doug Michels (1943-2003) that sought to rebel against the conformative style of art in their time and build a community of artists that vigorously experimented with new forms of art.[1]

 

http://kadist.org/wp-content/uploads/2016/04/ant-farm-eternal-flame-2.jpg

 

In an Interview with Chip Lord by Randall Packer over the Third Space Network stream, Chip Lord mentions that John F. Kennedy’s death was the first televised American tragedy ever, and Eternal Frame sought to explore the power of the media to immortalise such a historical moment and ingrain it into the minds of people by converting a real-life event into a processed memory via the media. [2]

 

 

In another interview about The Eternal Frame hosted by Constance Lewallen (2012), Doug Halls states that he resonates with Jean Jacque-Rousseau’s view that something cannot be true until it’s fictionalised, and the interpretation of a memory aberrates as it is constantly reappropriated throughout time, which is possible if an event is immortalised in a digital form. [3]

 

” I think that idea of you kind of grasping to it and extricated into your time, then in the act of doing that, certain truths disappear but other ones begin to emerge.”

– Doug Halls

 

 

Taking the achievements of past post-modern art movements like Constructivism and Futurism to a greater level, Antfarm’s fearless venture into different media and experimenting with different spatial contexts allowed them to successfully added new layers of meanings in their artworks that allowed them to make political and social statements.

 

 

Resources:

[1] Constance Lewallen, Still Subversive After all These Years

[2] Interview with Chip Lord: https://vimeo.com/257224713

[3] The Eternal Frame, hosted by Constance Lewallen: https://vimeo.com/53734504

#02: \\TELE-STROLL// (micro-project)

 

(Had to post this as a video because I was having trouble embedding the live video into my post!)

Posted by Yue Ling Tan on Tuesday, 23 January 2018

 

So Francesca and I were paired up for our first micro-project and we decided to do a “Journey to the East/West” video!
Our live performance is a juxtaposition between where we live in Singapore (and we ACTUALLY do stay at opposite sides of the country), and it serves the purpose to show that even if we are physically located at different parts of the country, our living habits and environment around us are extremely similar. Our brainchild showcases the both of us having a stroll around our neighbourhood on a boring Sunday and learning about each other’s living spaces.

The process of making this live performance was memorable, and I believe the both of us were quite taken aback by the level of difficulty this task poses. When planning for the performance, we decided to focus on the types of actions we could include that could utilise and include interactivity within the realm of the ‘Third Space’. After collating our ideas, we came up with the mini storyline that is our brainchild. Initially, we assumed that it would be fairly simple to carry out the live but it was only after various takes and practice that we were finally able to complete the performance successfully, which, rather than just a simple live broadcast, was more alike to a performance on stage and made this micro-project a very peculiar experience. Coordination between both parties had to be practised to be more refined and it took a lot of communication to include the appropriate elements and to execute them at the right timings, bringing social art to the next level.