Tag Archives: forrest gump

[2D] Forrest Gump: Quote 4 – Process and Final

“Remember, inside every girl, there’s a boy.” – She’s the Man (2006)

Brief overview
The romantic comedy centers on teenager Viola Hastings who enters her brother’s school in his place, pretending to be a boy, in order to play with the boys’ soccer team after her team gets cut.

The quote is said by Paul, her friend, when giving her a makeover to look more like a boy. He says this to encourage her in being more confident and sure of herself – that she can embody these more masculine qualities.

 

 

 

Indeed, I interpreted this to mean that a girl can be both masculine and feminine, and need not be constrained by what society expects of her (in the movie, it’s Viola’s mom placing these expectations on her).

Approach
At first, I did very literal compositions where a boy is physically inhabiting the space inside a girl’s body. I chose the boy to be a soccer player as Viola is pretending to be a male soccer player in the movie.

In the first composition below, a male soccer player is coming out of a girl’s torso, as if he is breaking free. This is similar to how Viola is truly a soccer player but is constrained by her gender in the movie, but manages to overcome her physical differences and emerge victorious.

 

I was inspired by this work by Eugenia Loli, where she uses the mouth as a framing device. I thought it was very appropriate to the “inside” bit of my quote.

 

 

 

 

 

 

I tried to emulate this, using the ball as a framing device in the first composition, but realized I didn’t need two soccer balls as the soccer player is already kicking one.

 

 

 

 

 

 

Hence, I used the back of a dress to frame the void from which he emerges in the second composition here.

 

 

 

 

 

 

This is a really terrible draft mash up I did of Lionel Messi and a female head. I felt that it didn’t express the “inside” bit of the quote, so I scrapped the idea.

 

 

 

 

I had the idea to use symbols of masculinity and femininity at the same time I started using symbols for the other quotes as well. I wanted the viewer to not immediately associate the final image with a girl simply because there was a girl inside, but to have to think a little more.

 

Hence, I came up with a mindmap to brainstorm some possible symbols of masculinity and femininity.

 

 

 

 

 

 

A few compositions I did with shoes and football nets, playing with voids and spaces in the shoes themselves.

 

 

 

 

A composition I did again, with nets, because it lined up better with a handbag.

 

 

 

 

 

Mixing a tuxedo top and a dress together: Viola is both masculine and feminine in the movie.

 

 

 

I realized that I could probably do this forever – mixing feminine and masculine items together to show duality. I needed to focus; I needed a solid plan; I went back to the quote, where Paul says that “that came out wrong.” Hence, I decided to inject more personality into my design by arranging the above elements in a phallic shape, as a cheeky reference to the sexual undertones of the quote.

 

I was inspired by this work by Ciara Phelan where she uses different elements to form a body – it was pivotal in my making of the final composition.

 

 

 

 

 

 

Final composition + Reflection

In hindsight, I could’ve also used other feminine symbols such as a perfume bottle that Hui En suggested – I think I missed that out because I was using symbols from the movie itself – Viola’s mother would force her to wear dresses and heels and there was a catfight scene with handbags. I also got feedback that the elements look pretty random and don’t look very cohesive, which I can definitely understand. 

[2D] Forrest Gump: Quote 3 – Process & Final

“The CIA would love it if you could take him out.” – The Interview (2014)

I approached this quote with wordplay in mind. The actual scene in the movie picks up on this too, a brief explanation of which is below:

Dave Skylark and his producer Aaron Rapoport run the celebrity tabloid show “Skylark Tonight”. When they land an interview with a surprise fan, North Korean dictator Kim Jong-un, they are recruited by the CIA to turn their trip to Pyongyang into an assassination mission.

The quote starts from 1:27 onwards – the scene is absolutely hilarious.

Initial compositions

I have this mental image of the CIA as being scary men in suits, so my first composition were three men in suits standing imposingly behind a dinner table, dinner being a literal expression of taking someone out.

 

 

I was inspired by this work by Natsko Seki in terms of layout.

 

 

 

 

 

However, while clear, I found the concept of the first composition I made incredibly boring.

 

 

 

 

 

 

 

I hence tried to use the CIA symbol instead of men in suits, making a few compositions where I manipulated elements of the CIA symbol.

 

 

 

I used the circular outline as a compositional element here, and. However, when I showed this composition to a hall mate, she didn’t recognize the symbol, probably because we aren’t American citizens. Truth be told, I didn’t know how the CIA logo looked like before googling it, too.

 

 

With the identification of this problem, I worked with the full logo with the “Central Intelligence Agency” words. I noticed that dinner plates have the same circular form as the logo, so I played with that in the following compositions.

However, I couldn’t bring myself to like the words – I found the font off-putting and I felt like the aesthetic of the logo and the illustration/photo I was using didn’t go together. This spurred me to take a different approach.

I merged symbols of a nice dining experience (a table chandelier and flowers you present on a date) with guns, to express the duality of the quote. It is a reference back to the movie where the scriptwriters have fun with wordplay – Dave and Aaron are both confused by what the CIA agent says when she mentions that she wants them to take Kim Jong Un out, and then understand that she wants them to assassinate him.

 

 

I thought, why not combine both the compositions above? Why not add in wine glasses, too?

 

 

 

 

 

Trying different halftone screens: Dots (left) / Crosses (right)

 

 

 

 

 

 

Final composition: Found the space between the wine glass and handle of gun awkward, so I added a wine bottle to link up the elements.

 

 

 

 

Reflection

Ms Mimi commented that it wasn’t clear what the form coming out of the hand was – I definitely agree, and in hindsight, I could’ve made it more clear that it was a gun.