2D Project 1 : My Line in Emo (Final Project)

The aim of this project is to visually convey six different emotions by exploring expressive mark making through the use of traditional tools.


Project 1 – My Line is Emo




An extremely strong reaction of anger, shock, or indignation.


Portrayed by sharp and crisp lines swooshing by in a swift manner. When one is outraged, he would go out of control and unleash his fury in all directions, similarly, the lines seem to be flying in random directions as if in a pit of rage. The trails of ink give the lines a sense of movement and the direction they are moving in, making them look more dynamic in nature. The thick trails of ink also gives a contrast to the more thinner lines.


Created by chopping satay sticks dipped in Chinese ink onto paper. Trails of ink are created by simply dragging the satay sticks across the paper.



A feeling of great happiness and triumph.


For happiness, I imagined little children playing in a playground, and therefore it inspired me to portray the emotion as little sprites, who are known to be playful creatures in fictional tales, jovially whizzing through the air. The trail the sprites leave behind creates a sense of movement and direction. The angle of which the sprites are facing creates a sense of randomness as they are not bouncing in sync but at their own pace, making them energetic and full of life.


Created by dragging a scrunched up ball of paper dipped in Chinese and monoprint ink across the surface. I had to make sure there wasn’t too much ink on the ball of paper or else the ink trails will be too concentrated and the texture wouldn’t show.



Severe mental or physical pain or suffering.


The texture immediately reminded me of the sky from ‘The Starry Night’ by Vincent van Gogh. More specifically, I once heard Beethoven’s Moonlight Sonata, which is a slow and sad piano piece, in a video online with this painting as the background. The rough and uneven texture gives a feel of desolation, the way the ink trails in one specific direction and amplitude gives it a sense of lifelessness, reflecting pain and suffering.


Created by dragging charcoal dipped in Chinese ink across the paper. The characteristic of the charcoal gives the print a rough texture while the Chinese ink smoothens it out and blends the two.



An unpleasant emotion caused by the threat of danger, pain, or harm.


With sharp and jagged elements from the top and bottom closing onto each other, creating little negative space, there is a sense of claustrophobia and uneasiness in this print. The more rough and faded ink give it texture and makes the silhouette of the jagged elements less crisp and clean, and also reduces the negative space in between, creating a greater sense of melancholy.


Created by dipping the edge of a piece of cardboard in Chinese ink and monoprint ink. The more watery Chinese ink gives a more textureless result and more crisp lines, while the thicker monoprint ink gives more texture, creating a rough trail of ink that bleeds out.



An overpowering wonder or surprise.


I portrayed this emotion by having a dense vertical disturbance suddenly interrupting the steady flow of horizontal lines. It shows how something smooth sailing can turn into a nightmare in an instant due to an external force.


Created by dragging a scrunched up ball of newsprint dipped in monoprint ink across the surface.



A great interest and pleasure in something or someone.


The lack of negative space gives a sense of darkness, with small specks of light whirling around like candlelights and also to give the scene a sense of movement. I wanted to make this an intimate environment with two ‘lovers’ in a dimly lit space. It also looks like an aerial shot where the camera pulls out up into the sky during a kissing scene.


Created by painting with a paintbrush. I did not use too much ink at once as I wanted more control so as to be able to leave tiny areas unpainted. The more narrow area around the two central elements area painted using the end of the paintbrush.


Scene from Ratatouille


Process Parts 1 and 2 can be viewed in the links below:

2D Project 1: My Line is Emo (Process Pt.1)

2D Project 1: My Line is Emo (Process Pt.2)


2D Project 1: My Line is Emo (Process Pt.2)

Process – Part 2

Before the start of this week’s class, I did several different prints during my spare time. They turned out quite well and I saw potential in some of them for my final submission.

Dripping ‘tears’
Karate Chop!
Exploring different methods of using satay sticks
Results of the various prints

During the consultation with Joy in class, she suggested that I try using different inks, such as Chinese ink, to replicate those prints that I have made previously which I saw potential in. She also suggested making the prints much bigger so that I have more freedom to choose which parts looked better.

More upsizing, using different inks.

After upsizing a few, I actually found that the previous smaller versions of the prints looked better, it was probably because the patterns looked too huge when placed in the viewfinder I created, which was the size our final ‘strips’ were supposed to be. It didn’t work out, but at least I tried it.

Below are four prints that I found ‘successful’ in displaying some of the emotions.

Joy – More towards cheerfulness and joviality, this print looks like little sprites playfully whizzing through the air.

Anger – Swords swooshing through the air with the blood of those killed trailing along…

Fear – A sense of uneasiness, this looks like a cave where stalagmites and stalactites are closing in on you, the minimal negative space makes it look claustrophobic.

Sadness – Melancholy, this print immediately reminded me of ‘The Starry Night’ by Vincent van Gogh. More specifically, I once heard Beethoven’s Moonlight Sonata in a video online with this painting as the backdrop. You can listen to it here hahaha –  https://www.youtube.com/watch?v=iVfPt8jgWOY





There is still ink in my fingernails.

2D Project 1: My Line is Emo (Process Pt.1)

Process – Part 1

For this session, we were introduced to mono printing, and it was my first experience with making prints using the print machine,

Applying ink for monoprinting
Arranging leaves onto ink

It did not go quite as planned,

A moment of silence

Shortly after, I proceeded with making marks using objects instead,

From polishing boots to dirtying paper

At the end of the class, I managed to produce a few patterns,

Test Prints 1
Test Prints 2
Test Prints 3
Test Prints 4

Creating the prints by hand was a much easier method and I had more control over how the prints came out.

As I forgot to take home my prints, I replicated what I did in class back at home, and had them added into my visual journal. I initially tried making the prints on regular A4 paper but found it to be too white and contrasting, I eventually went for tinted watercolour paper and it turned out much better.

Various prints with the objects used placed next to them

Below are a few notes i jotted down to aid in my next experimentation with making more prints.

Quick notes for future reference