EXP.INT | diwo (do-it-with-others)

DIWO, known as Do it With Others, is a distributed campaign for emancipatory, networked art practices instigated by Furtherfield in 2006. It extends DIY, Do-it-yourself towards a more collaborative approach, using the Internet as an experimental artistic medium and distribution system to forment grass-roots creativity. It helps to bring different individuals with similar interests together, where people are featured doing their interests and the current projects they are working on. The project ranges from software development projects to even social projects.

The practice of DIWO allows space for an openness where a rich mixing of components from different sources crossover and build a hybrid experience. It challenges and renegotiates the power roles between artists and curators.

DIWO has also influenced the Media Art Culture. They began with experimental sound and music, with pirate radio stations and collaborative street art projects in the late 80s and 90s.

DIWO enlarges artistic freedoms, uses the metaphors, tools, cultures and processes of digital and physical networks. It is led by experimental artistic processes rather than utilitarian or theoretical concerns. It disrupts traditional hierarchies and concepts of ownership working with decentralized peer 2 peer practices. DIWO involves diverse participants (unwitting and active collaborators), ideas and social ecologies. It generates unruly and provocative relationships between symbolic meanings and material effects. DIWO co-creates a new, freer, art context for more and more diverse people.

A similarity DIWO has to Open source, both are platforms open for people to help develop each other’s ideas or projects and provide feedback.

I feel that DIWO has a similar concept to our course, Experimental Interaction thus far. We are pretty open to opinions, with people giving us feedback. When working, we help to develop each other’s ideas and projects, although not on an online platform.

For example, the recent midterm project that we’ve done, we did it as a group. We bounced off each other’s ideas and helped to solve any coding issues that we faced.

Till then,
Flazéda!
jamz
x

GRAPHICFORM | hello! artist references

Image taken from https://www.behance.net/gallery/3235741/Handmade-Type
Tien-Min Liao
Handmade Type Typography
Published: March 14, 2012

This artist’s work is very creative. With the usage of her hands and fingers, she managed to create 26 alphabets, capital and non. It is a very interesting concept and unexpected that she was able to create so many.

Image taken from https://www.behance.net/gallery/690478/Evolution-of-Type-Exhibits-1-5
Andreas Schiefer
Evolution of Type
Published: September 9, 2010

The concept of this artist is very interesting! He merge the concept of the birth of alphabets to biology, and it was a very interesting combination.
With the letter S, he incorporated a Spine into it, as it starts with the letter S too. Even the way he constructs makes the cut very realistic!

This really inspired me to do a letterform using other mediums apart from traditional and digital.

Image result for string art letters artists
Image taken from https://i.pinimg.com/736x/c7/6a/71/c76a71eae45b9a50055af12683b025f2–anchor-string-art-string-art-letters.jpg

This was initially a reference for me to work on letterform ‘Z’, as I wanted to use strings to form a letter.

Image result for batik art
Image taken from https://i.pinimg.com/736x/3f/27/19/3f271952da9d7b6d3d94aa647bf7515c–batik-pattern-batik-art.jpg

 

These kind of batik art is a reference I wanted to make for my letterform.

Image result for batik crane
Image taken from https://chairish-prod.global.ssl.fastly.net/image/product/sized/6d4b2c2a-77ea-476e-97ed-8d708b7f184a/antique-indigo-crane-batik-body-pillow-1656?aspect=fit&width=640&height=640

Image result for peranakan art crane

These are some batik and Peranakan cranes.

Image result for flatlay illustration
Image taken from https://st2.depositphotos.com/6582994/11539/v/950/depositphotos_115399334-stock-illustration-freelance-workplace-flat-design-gadget.jpg

For my hawker centre illustration, I wanted to have a flat lay style illustration, to show it from the top view of a table.

These are some of the researches and references I found online which are very helpful to my process.

Till then,
Flazéda!
jamz
x

EXP.INT | reading assignment

Open source used to be the default way of doing things. However through most of human history all information technologies and almost all technologies were “open source”. (Page 24 of reading) This shows that the usage of open source was adopted ages ago, when technology was just starting to become advanced. However, it was not as largely practiced as now.

Open source started when Richard Stallman, a computer scientist, wanted to be able to improve the softwares and devices he was working with, but was denied the chance to. He wanted to let everyone have a chance of creating tools, and sharing them; therefore he established the Free Software Foundation. During the late 1990s, a growing team of hackers built an operating system kernel that would allow an array of programs to work in coordination – Linux. Open source is a platform for peer production, where users can share and revise each other’s work, making improvements together.

Having peer-to-peer social interaction contradicts the copyright system, as peer-produced information gains no benefit from strong intellectual property rights. Strong intellectual property rights inefficiently shrink the universe of existing information, and owned inputs will be limited to human capital with which the owner of the input has a contractual relationship.

Reflection
Based on the reading, I feel that Open source is a very good learning platform, especially for students. On one hand, professionals are able to help improve operating systems of software, and on the other hand, students are able to use the software for free. Technological advancement should be a benefit for everyone, and not be used just as a money making tool. This allows users that are unable to afford, still try out the software.

Till then,
Flazéda!
jamz
x

2D | mark-making V | research

I did some researching on Tate, on artists that did mark-making and I found 2, Ernest Wilhelm Nay and Mark Rothko. Below are the artworks produced by them!

Ernst Wilhelm Nay
White Spring

1963, Oil paint on canvas

Nay was the leading figure in the generation of German painters who reinvented expressionism in the climate of post-war abstraction. White Springshows his ability to maintain an immensely subtle and individual use of colour in the midst of apparent speed and concentrated energy. It is one of the last in his Disks series (1955-63), which are predominantly composed of circles which loosen, grow and fragment under the control of linear elements. For Nay, the disks possessed a fundamental and universal significance, free of personal connotations, in spite of the clear presence of the mark-making of the artist.

Mark Rothko
Black on Maroon

Oil paint, Acrylic paint, glue tempera and pigment on canvas

Black on Maroon is a large unframed oil painting on a horizontally orientated rectangular canvas. The base colour of the painting is a deep maroon. As is suggested by the work’s title, this is overlaid with a large black rectangle, which in turn encloses two slimmer, vertical maroon rectangles, suggesting a window-like structure. The black paint forms a solid block of colour but the edges are feathered, blurring into the areas of maroon. Different pigments have been used within the maroon, blending the colour from a deep wine to a muted mauve with accents of red. This changing tone gives a sense of depth in an otherwise abstract composition.

Till then, xoxo,
jamz

2D | mark-making III | paper marbling

Paper Marbling

Paper marbling is a method of aqueous surface design, which can produce patterns similar to smooth marble or other kinds of stone. The patterns are the result of color floated on either plain water or a viscous solution known as size, and then carefully transferred to an absorbent surface, such as paper or fabric. Through several centuries, people have applied marbled materials to a variety of surfaces. It is often employed as a writing surface for calligraphy, and especially book covers and endpapers in bookbinding and stationery. Part of its appeal is that each print is a unique monotype.

I was interested in experimenting with Paper Marbling, as one of the mediums/technique to use for my lines. I did research online on the various techniques of paper marbling and there were several. From a website, https://www.homesciencetools.com/a/two-marble-paper-projects, there were 2 methods on how to do water marbling. The first method was to use shaving cream with food colouring/paint. The second method was a little more complicated, to use mainly cornstarch, water and paint. After researching online, I found that many artists use the second method more. A variety of colours was also used, and it looked very whimsical.

2 artists I found that did paper marbling was Heidi Finley & Robert Wu.

Robert Wu, is a paper marbling artist from Toronto whom used traditional techniques to create marbled paper. His prints are all one of a kind, and cannot be replicated.  He manages a website, www.studiorobertwu.com, where he sells his prints.

Heidi Finley, from Sault Ste. Marie, sells marbling supplies on the Internet and also conducts workshops whereby she teaches paper marbling.

From the research, I realized many did paper marbling with a variety of colours, made the design on water and then dipped the paper in. I felt that the design of the usual marbling was too messy and complicate for the emotion I was going for, as I wanted to just experiment with black and white.

Thus, I decided to use only Chinese ink and water to create the design. I first dropped a few drops of Chinese ink into an aluminium tray of water, and it naturally formed a random marbled design.

I then took a strip of paper and briefly slid through the water, just enough to get some marbled effect. The first few strips turned out surprisingly nice, but was very complicated as there was a lot of marbled details. I wanted to show ecstasy in paper marbling. After a few tries, I churned out the most suitable paper marbling emotion.

Till then,
xoxo,
jamz