Assignment 2 Interactive Devices

 

Reference:

or this assignment, the devices that I used were servo motors and ultrasonic sensors. The distance sensor would allow movement of the servo motor. When a person moves closer to sensor, it would detect some movement and allow it to move. I was a bit uncertain with the whole concept of my idea, but my idea was to initially show that once a person goes close to a sensor, the movement would stop, and the clothes would go to its original position. This fabric is supposed to move on its own when servo moves, I thought that adding string attached to the main fabric would allow other fabrics to move. IT worked, but the movement was too fast. The feedback that I got was the “Delay” function was the main issue since I wanted the servo to move slowly. Perhaps I could improve by making sure the servo was coded well.

It was my first try with the sewing method, so since Galina taught us that a little bit, I had the privilege of getting my own sewing machine from home. With some fabrics I took from Product design room, I used that for sampling and incorporated certain floral designs in my project. I am happy to know that I picked up sewing skills pretty fast.

 

Code for Assignment 2

 

// Include the Servo library

#include <Servo.h>

#include <Stepper.h>

const int trigPin = 6;

const int echoPin = 7;

int servoPin = 3;

int servoPin1 = 4;

 

 

long duration;

int distance;

int setSpeed;

Servo Servo1;

 

void setup() {

Serial.begin(9600); // Starts the serial communication

Servo1.attach(servoPin);

//  Servo1.attach(servoPin1);

pinMode(trigPin, OUTPUT); // Sets the trigPin as an Output

pinMode(echoPin, INPUT); // Sets the echoPin as an Input

pinMode(servoPin, OUTPUT);

}

 

void loop() {

{

 

digitalWrite(trigPin, LOW);

delayMicroseconds(10);

digitalWrite(trigPin, HIGH);

delayMicroseconds(10);

digitalWrite(trigPin, LOW);

duration = pulseIn(echoPin, HIGH);

distance = duration * 0.034 / 2;

Serial.print(“Distance: “);

Serial.println(distance);

}

 

 

if (distance <= 20) {

Servo1.attach(servoPin);

Servo1.write(130);

delay(100);

Servo1.write(180);

delay(100);

}

if (distance <= 50 && distance > 20) {

Servo1.attach(servoPin);

Servo1.write(80);

delay(100);

Servo1.write(100);

delay(100);

}

 

if (distance > 50 && distance <= 200) {

 

Servo1.attach(servoPin);

Servo1.write(150);

delay(200);

Servo1.write(130);

delay(200);

}

if (distance > 200) {

Servo1.detach();

delay(100);

}

}

Visit to Jimmy Ong’s Work ” Poverty Quilt/ A Year In Java” at Asian Civilization Museum

“The most formidable enemy of a man is his own conscience”

Without leaving him the means of avoiding it, which always brings his crimes before his eyes

 

Prayer

Recitation – babat

First song is about the day British company freed Yogyakarta whic his n 1700 in java calendar

12 june 1812

2nd song – about the british invade Yog, looting of items from kampong

colonialism of hava – suffered damage

making a link between those who suffered and singaporeans who had not suffered this ordeal

from what i understand about this – he seems to point towards persuading partiicpants to empathze and sypathize with the villages whos lives became more difficult than it aleady is, and ironically  how as singaporeans there’s so much adornment for sir stamford raffles, when he was involved in this looting spree as well

 

Device Of The Week 1: Health

 

Triangular Bandage or a sling is versatile for arm,neck, shoulder, wrist injuries

  • Lightweight
  • Easy to use
  • Affordable
  • Multiple ways of tying to support
  • Can be used to cover non-arm injuries such as head or open wounds
  • Available in first aid kits

Cons 

  • Movable arm due to light fabric eg run, it will be tricky to remain immovable, and hands are full because other arm supports it
  • Bleeding wounds may seem through sling due to thin fabric
  • Ties may be sustainable for short period, not long

Arm sling is an object that helps to carry a broken arm. Some are made of fabric make sure it is will remain immovable.

Pros:

  • customized designed to prevent shoulder and elbow joints from moving, reduces pain
  • durable – able to withstand,wear, pressure ( not able to tear fabric)
  • immovable – comforting for arm/elbow injury
  • soft fabric  – polycotton material, breathable
  • easy to wash with mild soap and water
  • Shoulder pad has a padding so that it is comfortable to wear it for long period
  • Able to change elevation of upper strap (neck) – higher or lower

Improvements

  • fabric over neck supported with cushion so that after long period of wear, it would not strain the neck muscles
  • In context of being in military, it needs an outer layer that blends in well with uniform – blend in with surroundings / attack for injured
  • when lying down, use folded pillow under elbow
  • To take strain off neck, use a pillow(s) below elbow so strap over next is loosened

 

 

 

 

 

 

 

 

 

Week 3: Atmospheres by Peter Zumthor

“perfectly tempered feel to his built spaces is immediately communicated to viewers,residents, visitors and the immediate neighbourhood.”

“atmosphere is an aesthetic category. ”

Reading a place, becoming involved with it, working out the purpose, meaning and goal of a brief, drafting, planning and designing a piece of architecture is therefore a convoluted process that does not follow a straightforward and linear path

Zumworth’s line of thinking when it comes to architecture seems to be non-linear in fashion, where his thought processing is finding out more about the purpose of the building, the type of people who reside in it and what type of mood that it would bring to those who enter the building. Usually architecture would appear very mathematical, logical, with proper planning in place, but I guess that is also something that is just as important as the thought processes, like how Zumworth has mentioned.

Quality architecture  is when a building manages to move a person

 

“I enter a building, see a room, and in the fraction of a second – have this feeling about it.

“emotional sensibilities – a form of perception that works incredibly quickly, and which we humans evidently need to help us survive.”

  • That view of seeing is already innate in us, heightened awareness of this would make us more appreciative of how first impressions work when we come across people and buildings
  • Besides appreciating, we also tend to reject things in a flash, as author described.

Compared to previous readings, the author has a very romantic perception towards buildings – by describing it as similar to how we form first impressions of people. He seems to associate it with good and bad feelings and he is very expressive in how each particular buildings makes him feel. It does point towards

The task of creating architectural atmosphere also comes down to craft and graft

The Island of The Dead Arnold Bocklin, 1880, Wendlinghausen

Swiss Sound Box, Expo 2000

Edward Hopper’s Early Sunday Morning

Edward Hopper’s Early Sunday Morning
Swiss Sound Box, Expo, 2000
The Island of The Dead Arnold Bocklin, 1880, Wendlinghausen

graft –  the acquisition of money, gain or advantage by dishonest, unfair or illegal means especially through the abuse of one’ position or influence in politics and business.

 

Week 3 Reading of Peter Zumthor’s “Atmospheres”

“perfectly tempered feel to his built spaces is immediately communicated to viewers,residents, visitors and the immediate neighbourhood.”

“atmosphere is an aesthetic category. “

Quality architecture to me is when a building manages to move me.

“I enter a building, see a room, and in the fraction of a second – have this feeling about it.

“emotional sensibilities – a form of perception that works incredibly quickly, and which we humans evidently need to help us survive.”

  • That view of seeing is already innate in us, heightened awareness of this would make us more appreciative of how first impressions work when we come across people and buildings
  • Besides appreciating, we also tend to reject things in a flash, as author described.

Compared to previous readings, the author has a very romantic perception towards buildings – by describing it as similar to how we form first impressions of people. He seems to associate it with good and bad feelings and he is very expressive in how each particular buildings makes him feel. It does point towards

The task of creating architectural atmosphere also comes down to craft and graft

The Island of The Dead Arnold dockin, 1880, Wendlinghausen

Swiss Sound Box, Expo 2000

Edward Hopper’s Early Sunday Morning

Personifying a building – like how a person appear distinctive from the rest, and buildings can be that way too – one appears outstanding from the other

 

Week 2: Janet Cardiff &George Miller by Mariory Jacobson

 

“boundaries between our technologies and ourselves continue to implode (collapse violently inwards); as we inexorably (impossible to prevent from happening) become creatures that we cannot even now imagine”

“[devices like discmans, videocams, and binaural sound equipment] embody the diffidence (uncertainty) of a global information culture both beguiled and betrayed by the promises of the cyber revolution (Kello n.d.).”

This sentence seems to carry a lot of heavy meaning but even after understanding the big words author’s statement seems to be quite hard to understand. From what I know, Lucas Kello’s definition  (Kello n.d.) of cyber revolutions is about new threats and dangers which require immediate intervention by the state, and this is because we live in a time of “global information culture”. I would assume the use of discmans, videocams and binaural sound equipment, which are devices used in her artwork suggests how these can be used to influence people’s way of thinking – which makes it a powerful tool.

“Sounds and dialogue become so authentic we find ourselves removing our headsets to distinguish actuality from invention.”

In Mural Lake, one of their works is an example of this. By featuring a movie theatre facing the visitors it puts them in the position as the viewer, and also “god-like” where he/she directly hovering above the miniature size theatre. With the added use of headphones to drown out any ambient noises from the place they were in, the viewers enter a different “actuality”, where narrator speaks to them in a way that sounds very personal.  think using Janet Cardiff’s soft and persuasive tone in the audio seems to bring out that part, and it plays out well with the clip The Muriel Lake Incident,1999 + AlterBahnof Video Walk, 2012. Her narration seems to be telling the audience how to think according to what she thinks, and this play around a person’s line of thought does make the installation quite immersive. And it really does help that a human element such as her voice brings a person to see things from another person’s point of view. In literal form I guess this would mean the idiom “speaking her mind” directly at you. This “binaural” technique that she uses sees to be a recurring theme in her other videos besides The Muriel Lake Incident,1999 & AlterBahnof Video Walk, 2012 which has been effective in influencing the way people think and behave.

The Muriel Lake Incident,1999 @3:42

Kello, Lucas. n.d. “The Meaning of Cyber Revolution.” MIT Press Journals. https://www.mitpressjournals.org/doi/pdf/10.1162/ISEC_a_00138.

Week 1: Body,Personal Relations and Spatial Values Yi Fu Tuan

Front and back regions of the body is used as concept used in space

“The human being, by his mere presence, imposes a schema on space.”

“He marks its presence on those ritual occasions that lift life above the ordinary ad so force him to an awareness of life’s values”

Same structure and values of the human body

The symbolic advantages of upper stories of a house can easily be outweighed by their practical problems.

Islamic tradition – Kaabah, is not only the center and naval of the world but also its highest point

Frontal space is mainly visual, represents dignity , awe and commands respect

Back space is “dark”

This reading seems to revolve around the idea of bringing the concept of how our body postures are naturally and how it relates to space.

Circumambient space is differentiated in accordance with schema of his body.

People may work in the same building yet experience different worlds because their unequal status propels them into different circulatory routes and work areas.

By using the example of ADM buildings, there are made up of different floors, the upper floors are mainly occupied by staff, and the bottom floors are rooms for students, study labs, lecture rooms and workshop area. Since we have our own places to go to, it is interesting how the rooms that we visit often are different in terms of space and environment. The upper floors appear quieter, and isolated office rooms and mainly older teaching staff are there to interact with each other. This is a completely different setting in the lower floors where it the setting is slightly less formal and noisier.

With the way spaces are being constructed, the creator has a deliberate way of positioning people and space, where in real life situations– customer service sector facing entrance door to welcome visitors, are also quiet interesting to take note of. This deliberately planned usage of space also encourages likelihood of certain people to bump into each other, and above all, and empty space makes more room for more people to interact and increase possibilities of forming relations.

At the same time, in places like hotels or restaurants, visitors rarely get to see people pushing in box cartons or the stressful cooking environment at the kitchen – which would not be the best sight to see for them. However, in TV shows like Hell’s Kitchen, there is a division in place between the restaurant tables and chairs and the kitchen – by glass walls in place.

Being close combines two meanings of intimacy and geographical closeness. As the friend moves father and farther away geographically, emotional warmth also declines.

“out of sight, out of mind”

Alternatively, “social distance may be the inverse of geographical distance”.

Giant posters above at the start of expressway  is also a way to signal motorists that they are entering a long stretch of road – which is similar to a welcome sign at the front part of person’s house, and that also reflects how we construct buildings with the intention of making people more conscious of the spaces they are entering in a safe way.

Micro-Project 4: Pirate Broadcasting

This place was filmed at the bus stop right outside of the ADM Building at around 9pm last night. I decided to film the bus stop right across the road because the way the lampost lights its up was quite interesting. It also reminded me of my past work where I filmed bus stops – but the camera was directly in front of the bus stop – not at the side. The lightings at night are bring a certain mood to the whole setting of the bus stop. That is why it was filmed outside.

However, It would look better if it was filmed landscape, but that would be inconvenient for viewers to see, so had to put it in portrait.

I tried to film it still with my arms upright, but that wasn’t possible without movement. I wanted to film it still because it would take stillness of this place and this would mean moving objects – such as vehicles and people are quietly observed too…

Some passing comments from passerby walking past with their friends were school-related, some were vulgar expressions from no where so the person couldn’t be identified in the clip, and some looked curiously behind my camera when they by passed me.

The sounds of crickets could be heard,they were louder than murmers or mumblings of the people talking. The sounds of engines from motorbikes and the passing vehicles were loud but they gradually got softer after a while. The most stagnant sounds throughtout were the cricket sounds and little murmurs of people talking .

Some ideas to follow up for Final Project ( Live 1 Hr Video )

  • Different stations of bus stops every 15 minutes, within the campus
  • Timing of filming would be during peak periods 4pm-6pm to record unscripted dialogues among passers by and people waiting by bus stop
  • Alternatively, morning + night
  • Filming within campus instead of outside of campus – increase probability of me bumping into people I know (predictable dialogues – “What are you doing here? Why are you filming?” Is this for a project? ” – Have more control over the outcome of this Live Video Feed, as the person behind it, observe the dialogues in my surroundings

Week 5 Reading “Critical Vehicles” by Krzysztof Wodiczko

Vehicles served as a means for enacting a psycho social machine

The subjects of that oppression were themselves often unaware of the extent to which they were an active component – a cog or a gear  – in that machine.

The use of a vehicle is used to represent a government system that is run by important elements that make up democracy – which are its people. The artist take on this appeared pessimistic in nature – where oftentimes citizens are unaware of their power to make a change to the system they are a part of – otherwise, as the main driver of social change they would have been the driving force.

the hypocritical life we lead when we take refuge in the machine of a political or cultural system while closing one eye to… our own passivity, or frankly speaking complicity.

The author is trying to show how as we active consumers of the culture and political system that we reside in, where we could choose to believe what they say they will do for us in exchange for our loyalty. And it also seems to dislike the idea of us being blindly accepting this type of norm, because it is easier than to throw an uprising against the government, which is much more difficult.

ideaosis – the commonsense life of well-calculated choice for navigating through the system by claiming a critical or independant perspective on it

 

If democracy is to be a machine of hope, it must retain one strange characteristic – its wheels and cogs will need to be lubricated not with oil but with sand. This will disrupt its symmetry and legitimacy and keep the machine in a kind of ethical turbulence.

The author seems to use the symbol of machine parts to represent a certain belief to how politics should work. The wheel and cogs are used to represent how followers of the government should learn to be vocal, and play the role as devil’s advocate in the way they perceive how the politics is currently being run. By “ethical turbulence” seems like the author is suggesting that it is the morally righteous thing to adopt this approach when ruled under democracy.

Democracy is ill, silently suffering, and we must heal it, make it whole, of the wounds from hundreds of years of forced muteness and invisibility impoased on so many of its subjects.

The author’s stand is that he seems to observe the shortcomings of democratic principles in general, where people who accept the majority seems to overlook the importance of valuing minorities or those of the marginalized.  Also, there is some criticism with regards to him and he aims to “shake” off this sheep mentality by making sure the voices of the “silence,alienated and marginalized” are heard.  He also appears like some savior or hero in this article, where he’s trying to win support of the good guys ( the marginalizeD) and to go against the “oppressor” namely the Uncle Tom of the country.

 

Week 4 Reading of Rafael Lozeno Hemmer’s “Illuminating Embodiment”

“Under scan” is an interactive piece which uses a tracking system to produce an audio/visual on a person’s shadow, as lone strangers walk in an open, lighted space.

By doing so, it projects a clip of a stranger, who is making some type of movements with his body and face – as if to entertain the the person who sees it. I particularly liked the way projection screen is customized to the stranger’s whereabouts, with the help of tracking system that predicts where the person will move next. It makes it highly interactive and gives an extra personal touch to it. I think the use of lights to create formation of shadows on sidewalk is a smart move Lozano has made, in order to detect movement of person and produce that interaction.

The use of the small projections, unlike that of the fully large scaled ones that draws a lot of blinding LED lights, this interaction seems to give off a different type of response. It seems more mellow, personal, more deliberate way of drawing someone’s attention without being intrusive. It seems like the content of the interaction is meant to invoke a certain type of humor in the stranger, with due respect to his/ her personal space – as seen in the way the clip fades off after stranger walks away. In the bigger picture, Lozano’s interaction “Under scan” is meant to be highly interactive, with proper accustomization to a person’s whereabouts – with due respect to his/her level of interest in it.

As mentioned previously, the use of small projection instead of large scaled ones could be possible form of work. But I guess in relation to what was mentioned in the article, it is practical as well to project interactions in small sizes to reduce costs especially if it is a artist working on this project, and not a big corporation with a lot of budget.

virtuality as a digitally facilitated, purely cerebral state independant of the vicissitudes of the body.

And in his book “Mind Children” American roboticist Hans Moravec speculates that in
the future people will no longer need bodies as human consciousness will be fully transferred to digital realms.

The quotes above seem to suggest how the use of the virtual reality, such as the internet plays around our perceptions, our psychology, our way of thinking and manipulation of the individual’s minds. It seems like a very futuristic way of describing virtuality, but I guess it really holds true. We do not use any part of our body when it comes to using virtual reality, or the Internet for examples, and it is highly “independant” because we are detached from our body parts. The digital spaces is simply functional because there is a collective number of brains working alone / together to produce whatever information that we may need/want/desire from the anything digitally produced.

In my opinion, the way it says “human consciousness will be fully transferred to digital realms” seems to point   towards our transition from the physical world to virtual reality. And even if it is becoming a worldwide phenomenon in mayn developed high speed Internet places like here (Singapore), it does mean that living in the physical space “in the moment” woud require someone who is conscious enough to go back to the non-virtual reality. And that, I would assume would need to be deliberate.

In conclusion, I hope that this theory holds true, because in some ways it does end off with the idea that we could still connect on a virtual level regardless of any preconceived notions, stereotypes about a person. Instead, internet communities thrive on a similar human-like approach where we thrive to reach towards a common goal through a different , alternative reality.