I began my ideation with the basics,
“My name is…”
I wrote down as many variations of my name, which I felt that will be helpful later on, when I have to decide which name/initials will be more suitable for my letter form.
As we have to come up with 4 different designs, I felt that maybe I could link them up and tell a story. I started with looking into my dream jobs and these are some jobs which I listed out:
Brand identity designer
UIUX/User experience designer
Goldsmith/jeweller (jewel crafter)
Spiritual healer (shaman/witch/enchanter)
Fragrance chemist (Alchemist)
Eventually, I narrowed down the list and got my 4 jobs.
The Journey of Dream Jobs
Message: Sometimes, dream jobs are seemingly impossible due to constrictions and practicality. Nonetheless, going through this identity crisis of being conflicted with what we want is mandatory to find ourselves; in hopes that everything will eventually work out.
In chronological order,
As this project was to incorporate the letterform which reflects a particular job, I found these examples really interesting and useful: how they managed to visualise both letterforms and shapes and make sense out of it.
Chineasy by ShaoLan Hsueh
Moonshine poster by Jon Klassen
Mariano Pascual’s 36 Days of Type (click to see the rest)
36 Days of Type by Shiffa
To show this impossible dream of mine, I portrayed a dessert to be pretty-looking on the outside and disgusting on the inside.
Initially, I wanted to use solely complementary colours but subsequently, I felt that it was lacking colours and vibrancy.
Also, in the composition with the green background, my letterforms were incorporated into the reflection of the slime (k a i). However, after consultations, Joy mentioned that the letterforms could be incorporated into something more significant to my story/dream job.
So, I have made some changes, like the colours used. I included a range of analogous colours instead. The letterform, K, is in a form of the crack seen on the plate instead: showing how impossible this dream is and that is a bad choice for me to do so.
As compared to the letterforms in the slime, I found it slightly easier to incorporate the letter K as a crack as it is angular. Whereas, the slime took on an organic shape and fitting angular letterforms would cause it to warp even further, losing their readability.
I was Inspired by Zaha Hadid, an Iraqi-British architect. Known as the “Queen of Curves”, her architecture style is advanced and sleek.
In this design, I wanted to illustrate impossible architecture through exaggerating the structure and subtracting the basics of what makes a building foundationally sound and strong. In my sketches, I tried creating this structure using geometrical and organic shapes, or a mix of both. Depending on my choice, the letterforms chosen varies. My initials, “KT”, as compared to “KAI” seemed more appropriate as the angularity of it is an advantage. The letterforms are illustrated as sticks which are trying to support the structure but from consultations, Joy suggested to make this structure look “even more impossible”.
For the last design, I added texture to it so that it looks more dynamic.
Inspired by the Ukiyo-e art movement, I wanted to design something which reflected a rebellious phase of mine, and also the practicality of being a tattoo artist due to cultural constrictions. I started off experimenting with the neon-sign look as it reminds of shady places that bad and messed up people visit. Also, the tattoo artist is drawn in lines, unlike the person getting tattooed, as it represents this dream job of mine does not even exist at all; an impossible vision.
However, I couldn’t think of how should my letterforms be in this composition as the line work illustrations are a little distracting.
In the last picture, I experimented with the brush tool that I have learnt in class. Instead of illustrating the chain manually, I made a pattern brush, using chains. Most probably, I would include this chain element in my letterform as it represents the cultural restrictions of being a tattoo artist.
Memphis artist, Peter Judson,
with his vivid isometric illustrations.
In my final design, I played with basic shapes as I was inspired by memphis art style. By utilising this art style, I felt that the placement of elements and colours used played a great part in creating a dynamic composition; one that looks playful and joyful.