Wearable Tech Final Project

Butterflies

My fashion concept revolves around the visualisation of the feelings of anxiety. Anxiety is sometimes described as the butterflies in your stomach and I wanted to work with butterflies on my outfit. For the dress the interactivity was meant to show the phases of being anxious. The first being where the butterflies come alive under the use of servo motors, loud like the blood rushing in your ears. The second being the calm of overcoming that anxiety, where the butterflies calm, and there is light.

The idea of the dress was supposed to be dark, representing the things lurking in the shadows and you cannot really see them, hence I chose of black fabric. Eventually though to liven up the dress, I had chosen some red accents so as everything is not just one dark mess.

Technology:

For the circuit I separated the interactivity into two circuits.

The first is the servo motor where its like a pulley system to pull the butterfly wings up, and gravity brings it down.

The second state is the lights which pulse like a heart beat. I felt that it would be nicer as a pulsing light as it is softer and calmer.

I had thought for if this project exist on its own it will either respond to heartbeat with a heartbeat sensor. For the fashion show I wanted to do a collaboration with Pei Wen, where when her dress comes close then it would trigger the second part of the dress where it lights up, kind of representing the comfort a close friend gives, which results in the calm.

Improvements:

I need a bit more support for the butterflies. As it relies of gravity to let the wings fall, it has to perch horizontally rather then on the side of the wall.  So I would like to either remake the butterfly system or make a kind of support.

I would also like to conceal my wires and the butterfly stand better, by maybe making cloth flowers to conceal it.

I would also like to expand the butterfly circuit to the hat portion, so hopefully I can cut or find another way to make more butterflies.

 

For the Fashion Show:

My role was originally to help out with the photo shoot, I didn’t really think about it too much because the role sounds straightforward enough. Um, I could help out with the other areas too if help is needed.

Wearable Tech Research: Biomimicry

What is Biomimicry:

To copy the functionality of nature to solve our man-made problems.

Examples:

Stefanie Nieuwenhuys

LAYERING SCRAPS LIKE SCALES After spying diamond-shaped wood chips on a workshop floor at London’s  Kingston University —the leftovers of some architecture student, no doubt— Stefanie Nieuwenhuys was reminded of a secondhand snakeskin bag she once purchased. Scooping them up, the fashion student set to work, layering the wooden scraps onto fabric like reptilian scales. To minimize waste, Stefanie Nieuwenhuys layered discarded pieces of wood onto fabric like reptilian scales. Nieuwenhuys’s “aha” moment resulted in her master’s project: a collection of corsets, floor-length evening dresses, trousers, and neckpieces that marries modern laser-cutting techniques with a couturier’s delicate yet exacting touch. Eschewing virgin resources, Nieuwenhuys worked with bio-waste firm  InCrops Enterprise Hub  in Norwich to obtain discarded pieces of plywood, which she honed into efficient forms that left behind little waste. Glued onto unbleached organic cotton, the brown-and-ecru “scales” become a “simulacra of nature, without discarding nature’s inherent harmonies".

scales4

scales7

scales8

(pictures taken from: https://blogs.3ds.com/fashionlab/stefanie-nieuwenhuyse-recycle-le-bois-comme-des-ecailles-serie-biomimetisme/)

After spying diamond-shaped wood chips on a workshop floor at London’s Kingston University—the leftovers of some architecture student, no doubt—Stefanie Nieuwenhuys was reminded of a secondhand snakeskin bag she once purchased. Scooping them up, the fashion student set to work, layering the wooden scraps onto fabric like reptilian scales.

The artist makes use of scrap material to make her outfits. This project of hers emphasises the idea of reusing materials. Laser cutting the pieces to look like scales, and imitating the layering to look like that of a snake.

 

Diana Eng

COMPACT STRUCTURES THAT UNFURL LIKE LEAVES Diana Eng based her  “Miura Ori” scarf  on an origami “leaf-fold” pattern invented by Koryo Miura, a Japanese space scientist who was in turn inspired by the unfurling mechanism of the hornbeam and beech leaves. Diana Eng’s scarf folds into a compact package yet “deploys” to create a voluminous wrap for your neck. Hornbeam and beech leaves are distinguished by their corrugated folds, which remain collapsed until they emerge from their buds.

Diana Eng based her “Miura Ori” scarf on an origami “leaf-fold” pattern invented by Koryo Miura, a Japanese space scientist who was in turn inspired by the unfurling mechanism of the hornbeam and beech leaves.

The origami patterns were made by observing nature, and the omission of right angles, like forehead wrinkles or the veins of a dragonfly’s wing. Because of that, the pattern is collapsible.

Monserrat Ciges

Created to imitate animals that are able to voluntarily self-transform.

 

References:

Simone Leonelli on the Blurred Boundaries Between Art & Fashion

The influence of 3D printing on fashion design

3D Printed Fashion: Novelty or reality?

How to become an Aussie eco-fashion designer

Fashion Biomimicry Through The Lenses Of Biotechnology, Nanotech And Artificial Intelligence

3D Haute Couture by Iris Van Herpen

http://www.osmosis-industries.com/digital/2015/4/21/nature-inspired-fashion-design-through-the-theory-of-biomimicry

Stefanie Nieuwenhuyse Reuses Scrap Wood as Scales – Biomimicry Series

Tessellation and Miura Folds

http://www.fairytalefashion.org/

https://class.textile-academy.org/2019/Montserrat/project.html?fbclid=IwAR2HGn6Jnj_R55DxHrH0XUJ-Kps8XhIIsjuXEe7a-0vZX_qN_RzgdFmpEQQ

 

Wearable Tech Research: X.Pose

Designed by Xuedi Chen and Pedro G. C. Oliveira
Photographed By: Roy Rochlin
Model: Heidi Lee
Makeup: Rashad Taylor

Concept:

The outfit reflect the amount of data you generate when using the internet. Based on the amount of data generated, it will make parts of the outfit more transparent then the others. It creates a commentary of how transparent one is on the internet despite having things like privacy settings. On Xuedi’s website they states,

By participating in this hyper-connected society while having little to no control of my digital data production, how much of myself do I unknowingly reveal? To what degree does the aggregated metadata collected from me paint an accurate portrait of who I am as a person? What aspects of my individuality are reflected in this portrait?

The work broadcasts the artists’ concern on the wearer, exposing the wearer literally to the public view as contrast to the exposed data we have online.

Process:

  • Creation of app to connect to the outfit
    • The app is used to collect the data generated from their phone at each time at every location. The data generated is sent via Bluetooth from their phone to a Bluetooth Arduino in the outfit.

schem001.jpg

(photo taken from: https://www.pedro.work/#/xpose/)

  • Creation of Flexible mesh armature
    • Designed geometrically to reflect areas that the artists visit often. (like Soho, NYU, Union square.
  • Opacity of the dress
    • Depending on the amount of data generated, the outfit would change opacity accordingly.

Materials:

According to the artists’ website, the material used for the armature of the outfit is a flexible 3D printed mesh

schem002.jpg

(photo taken from: https://www.pedro.work/#/xpose/)

Subsequently, they also mentioned that the opacity changing material is made from electrochromic film, also the materials used to make smart windows.

Photo: Electrochromic glass wired to electric contacts and appearing transparent (clear).Photo: Electrochromic glass wired to electric contacts and appearing opaque (dark).

(Photos taken from: https://www.explainthatstuff.com/electrochromic-windows.html)

Image result for smart windows lrt

(similar to the material that is used for our LRT windows)

Electrochromic films use technology similar to an LCD display, which uses liquid crystals, under precise electronic control, to change how much light can get through. When the current is switched on, the crystals line up like opening blinds, allowing light to stream straight through; switched off, the crystals orient themselves randomly, scattering any light passing through in random directions, so making the material turn opaque.

How electrochromic smart film works: Animated GIF artwork showing how liquid crystals align to let light pass through

(Photo taken from: https://www.explainthatstuff.com/electrochromic-windows.html)

 

References:

  • http://xc-xd.com/x-pose
  • https://3dprint.com/5802/x-pose-3d-printed-dress/
  • https://www.explainthatstuff.com/electrochromic-windows.html
  • https://www.pedro.work/#/xpose/