Besides Agnes Martin, I actually looked up on Ed Moses and a little bit on Sol LeWitt. So I went to the ADM library and borrowed these books (see below) for further reference.
Although the research of these 2 artists are brief, I managed to get some information about them and their techniques.
First of, we have Sol LeWitt.
Sol LeWitt is a leading figure of Minimalism and pioneer of Conceptual art. LeWitt’s work is characterized by serialization, repetition, and progression, exemplified by his iconic open-grid structures. LeWitt’s wall paintings are just about the same as Agnes Martin, lines are mathematically drawn. In LeWitt’s case, once he does the calculations and planning, he would get his assistants to carry out the work for him with specific instructions.
I actually watched a documentary before about LeWitt’s art techniques and how he works in the industry. They actually showed his assistants working on the installation — not 1 or 2, but at least 4 people working on a wide wall.
Next, Ed Moses, the artist.
I considered myself lucky to have found the book (see above) in the ADM library. Although the weight was a total burden, I had to do what I had to do for research — BORROW IT!
In the book contained bits and pieces of the artist, his artworks, and FAQs. I admit I was solely interested in his artworks besides anything else. But I picked up a few information from the book as well.
- Prefers taking risks, moving beyond what he already knew
- Focuses on profound possibilities and challenges of abstract painting
- Thinks that painting is an adventure whose ultimate reward is knowledge of self
- Mainly uses watercolours for his paintings
- Multi-coloured to monochrome
- Structure of diagonal & parallel lines
- Early paintings formed by a grid
- Concept of “Playing with Chaos” — painting without rules or preconceived compositional goals
- Works on both sides of the canvas, allowing bled through ghosts from one side to prompt composition painted on unusual materials with unusual tools
Interesting information of his techniques are actually the materials he used for his artworks. As stated above, he uses unusual materials like raw mahagony and unstretched canvas; unusual tools like long-handled mops, sponges and squeeges, besides normal rollers and brushes.
Moses also used….
- Translucent, light-reflecting materials — unstretched canvas, powdered pigment, resin, off-white drafting tissue and Rhoplex
- Paint with spray gun — using insoluble mixtures of oil paint, acrylic & shellac
Here are some snapshots of his artworks from the book. (I should have done proper citation of the images. My bad!)
Most of the time when I continued to flip the pages, I was in awe with how contrasting and bold Moses’ artwork are.
In conclusion with these 2 artists, I mainly looked at their artworks for inspiration and motivation to continue coming up with whatever I have at the back of my mind. I didn’t really plan to follow this artist to that type of art piece, I just do without thinking. Then when Prof Ina mentioned mine had some of Agnes Martin’s work in the monoprint etc, I was like…… “really?”
Funny how I didn’t even realised that!
One thought on “#throwback: Other artists”
oh my gosh ! the examples look like your works! hahah…to journey through art with any sense of purpose and direction is really hard- it is the artists and their works what you can use as some sort of a map. you have been looking into (and carrying) number of excellent books that can guide you in terms of methods and some that are of great value in reflecting on meaning and concepts behind the motivations to do those simple marks..