Our group or as known as Ling Teh Kam-pany (Derived from our names), consists of Kam Yit Ling, Clara Teh Ke Wei and myself, Seng Yi Ling. And here, we present to you our very own movie trailer for our final 4D assignment of Year 1 Semester 1…

Movie Title: Yi(t) Ling
Genre: Fantasy + Psychological Horror

3 Act Structure

Beginning (Act 1)

Yi Ling is a shy and quiet person. Once focused on a task, she is far from being distracted. Sadly, she is ostracized by her classmates as she seemed rude and had a stuck up attitude. Her classmates disliked and gave her a hard time. Until one day, her new classmate Queenie decided to befriend her.

Rising action

To her dismay, Queenie sold Yi Ling out to fit in as she got ostracized by their classmates when she was seen hanging out with Yi Ling. She ganged up with her classmates and forced Yi ling into room rumored to be haunted for fun’s sake. When Yi Ling managed to open the door after much struggling, she was transported to another dimension where there were doors which led her to places as a ghost tailed her.

Middle (Act 2)

Encounters with the ghost tells Yi Ling that the ghost wants her to stay in this dimension and never go back. The spirit was motivated by loneliness which both characters shared and was enraged when Yi Ling refused to stay.

Ending (Act 3)

The ghost is in actual fact a manifestation as her alter ego. The other dimension filled with doors was a symbolism of change Yi Ling faced in her life. And the only way Yi Ling can get back to her world is by killing a part of her: Her Alter Ego.


References

We watched many horror movie trailers as a form of research and shared our experiences and views on past movies we’ve watched that could be of assistance to our movie trailer! 🙂

Crimson Peak (The Ghost was constantly present, but not shown blatantly.)

Black Swan (Killing of her Alter Ego)

The Babadook (Ghost was a manifestation of main character’s fears.)

The Boy ( Placement of background music.)

Placement of background music was very on point here – it had us 3 covering our ears and half shutting our eyes in fear to watch the trailer. The initial beginning of the trailer has a soft mellow piano tune when the female lead approaches the mansion, and the drastic change of music when they revealed The Boy to her sent shivers down our spine. The sudden change of music instantly let the viewers know what atmosphere the trailer aims to set: Simple life of the girl -> Horror of her lifetime.

Blair Witch Project (Handheld camera shots to show desperation and fear.)

https://www.youtube.com/watch?v=D51QgOHrCj0

Coraline (Travelling into another dimension, and use of different colour for different world)

In Coraline, the saturation of her world is low and colours are dull like the reality she lives in. In the other dimension, she enters a door where saturation is high and colours are vibrant and lively like the life she yearns to live in.


Editorial

Blackout shots – Blackout transition shots are a recurring motif. It is used as a representation of time lapse. When used in our trailer, the following scene will be of another place and another time. In addition, length of transition creates suspense and indicate a tonal shift in the scene.

Color  – Adjusting of color to establish different dimensions were used. In the real world, colors are more saturated and was brighter; whereas in the other dimension, saturation was kept to a minimum and brightness was decreased to emphasize on the stark differences in both worlds, so as to make it more spooky.

Background music and audio – Music were used to build up the anticipation and gives the audience the emotion they ought to be feeling a specific sections of the trailer. For instance, mellow piano music at the start to give a soothing feeling, and high pitched fast paced music at the climax when main character was being chased down.

Parallel Universe – At the scene (0:45) where the main character exit onto the parking lot, the composition has a mirror image reflection on the extreme left of the shot, to enhance the parallel universe feeling.
Staircase scene shows main character running up the stairs away from the Ghost, but she remains on the same level as the stairway in the other dimension is an infinite loop (0:58 – 1:09) .

Shots Established

Still Shot was used at the start of the trailer, where a serene feeling is given of the school environment. (0:09)

Fast Pan + POV at the scene where main character looks around perplexed at the new dimension she entered (0:49) .

Dolly In and Out scenes are present at the scene to show the ominous door (0:30) and the scene where zooming in on her expression to show that  she is perplexed after opening the door to another location (0:48).

Mid-shot was used at the scene where main character is pleading the classmates to let her out. (0:40)

Handheld shot when the main character is running up the stairs. (1:01)

Low Angle Shot at the scene where 3 Classmates (Dawin, Jon, JiaQi – Thanks guys!) were gossiping about the main character. (0:22)

Trucking Shot was used when classmates (Thanks Queenie and Debbie!)were pushing the main character inside the haunted room. (0:35)

Close-up Shot was used when main character was wrenching at the door handle when she is locked in (0:41). And the part where the main character’s phone is ringing (1:25).

Canted angle shot are present when phone is dropped amidst the struggle when pushing the main character inside the haunted room (0:37), and the scene where the ghost is wrenching the door to be opened (1:14). This is to create drama and suspense.

Slow Pan is used at the transition scene where the main character looks into the mirror and the reflection looks back at her (1:39-1:42).

Challenges Faced

  • We tend to forget that the trailer is 2 mins and thus, eventually worry that our trailer does not convey our plot properly; but at the same time we don’t want our trailer to be a 2 min summary of the movie (given that it is a MOVIE trailer).
  • Finding an appropriate location which conveyed the intended feeling was not easy. Our main character’s setting is in a school environment and hence the school was used. But for the horror aspect we had to find narrow and dark areas within campus and that was difficult. Given that we even trespassed ongoing construction sites in school.
  • Suitable. background. music. was. really. hard. to. find.
  • Miss Ruyi mentioned that our logo and lobby music was not very appropriate for our Horror trailer, but our group felt that the logo was a good representation of our efforts as a group and the elevator music gave it a merry feeling. This will create the drop of emotions when the horror aspects of our trailer is revealed. 🙂

Feedbacks and Critiques
  • Bar chart results obtained from Ms Ruyi’s Google survey for our group were more towards the positive end of the spectrum.  (thank you!)
  • Sound effect can be toned down to hear narration of the alter ego better in the end.
  • The starting music doesn’t match with the rest of the trailer , perhaps a non jazzy music that foreshadows the story?
  • Show that the alter ego and the main character are two compelling personalities/ people by including more interactive scenes between the 2. Perhaps by voice over of dialogue between 2 person or a struggle between the 2.
  • Yi Ling can act! (Yi Ling says thank you >~< )
  • There were different shots to show the mood of the character.
If u guys have any constructive criticism or comments that we’ve missed out, do leave a feedback down below! WE APPRECIATE IT ?

Initially I was pretty apprehensive to do group work for assignments as I am a rather ‘lone ranger’ kind of person, and having to do group work would mean that there is potential conflicts etc. But I was proven extremely wrong as I felt that our group worked really well together and even bonded closer as friends! 😀 I am very blessed to have worked with Clara and Yit Ling for this project, and I couldn’t have asked for better group mates~
Our first and hopefully not the last group photo as Ling Teh Kam-pany :D

Our first and hopefully not the last group photo as Ling Teh Kam-pany 😀

Thanks lovelies 😉

Our group (Clara, Yit Ling and myself) created this movie trailer for our Final Assignement 🙂


Genre: Fantasy + Psychological Horror

Beginning (Act 1)

Yi Ling is a shy and quiet person, but she was ostracized by her classmates as she seemed as though she had a stuck up attitude. Her classmates disliked and gave her a hard time. Until one day, her new classmate Queenie decided to befriend her.

Rising action

To her dismay, Queenie sold Yi Ling out to fit in as she got ostracized by her classmates when she was seen hanging out with her. She ganged up with her classmates and forced Yi ling into room rumored to be haunted for fun’s sake. When Yi ling managed to open the door after much struggling, she was transported to another dimension where there were doors which led her to places where a ghost tailed her.

Middle (Act 2)

Encounters with the ghost tells Yi ling that the ghost wants her to stay in this dimension and never go back. The spirit was motivated by loneliness which both characters shared and was enraged when Yi ling refused to stay.

Ending (Act 3)

The ghost is in actual fact a manifestation as her alter ego. The other dimension filled with doors was a symbolism of change Yi ling faced in her life. And the only way Yi ling can get back to her world is by killing a part of her: Her alter ego.

THIS IS NOT THE FINAL VIDEO 🙂 STAY TUNED FOR A NEWER, BETTER AND UPDATED MOVIE TRAILER.

COMING SOON BEFORE 15 NOVEMBER! 😉

Our very first G05 class outing happened yesterday at NUS Museum featuring the exhibition: Double Vision! Double Vision is a selection of video works and experimental films that are inspired by the affinities between the Philippines and Vietnam in the history of the American wars in the Pacific.

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Videos & artist films by: David Griggs, Gym Lumbera, Miko Revereza, Roxlee, Shireen Seno, Angel Velasco Shaw, Stephanie Syjuco and Kidlat Tahimik.

Pdf format of the Brochure: http://www.nus.edu.sg/museum/pdf/2016/NUSM_DoubleVision.pdf


When we first entered the exhibition, the first film we watched was Shotgun Tuding by Shireen Seno

Trailer:

In summary, the film is about Tuding (the protagonist) who journeys to a distant town to hunt down the man who got her youngest sister Teresit pregnant. Along the way she

This film is constructed after Pancit Western, which is the Pinoy form of Spaghetti Westerns.

What I liked about this film:

Shots used are rather interesting. I found the dramatic close up of the subject matter’s face and dramatic pan out shots to be rather comedic and kind of poking fun at the mainstream western American Wild Wild West kind of films, where two cow boys would be having their showdown.

Color pallete used in this film was muted and had a rather soft and dusty feeling to me.


Nailed by Angel Velasco Shaw 

Is a Filipina’s exploration of a Catholic Church and 400 years of Spanish and American colonialism woven in a montage of images, sounds, stories and performances.

Although I watched this film from the start, I didn’t have much patience to sit through this particular film. The narrations were muffled, and I think with subtitles I would actually have stayed till the end of the film…

But regardless, I took away some learning points from the video in which I really find it interesting. The way the artists juxtaposes 2 shots: The dying pig being tortured to it’s death on the ground & the baby cradled in the mother’s arms; was rather fascinating to me because, in the case of the ritual where the child is baptized in one scene ( I think?), a pig is slaughtered. The phrase, ‘A life for a life.’ came to my mind immediately after this scene, and then Yit Ling (my classmate who was sitting beside me) said :’ The pig is like a baby also… because it can only scream and cry and you have no idea what it is saying, but it is suffering.’ My heart sank when I heard that.


ABCD by Rox Lee is an experimental animation video shot on Super 8 film. It uses techniques such as hand-drawn animation, painting on film, found footage, and collage to advocate a radically new and personal understanding of the alphabet.

I really liked the use of a mixture of techniques to this film as it adds variety. The film is a socio-political commentary. By incorporating the use of the order of alphabets, it made things a little disturbing in a sense by which the use of hand-drawn animation and Alphabetical sequence usually seen on American TV shows for children to teach them about alphabets, things take a darker turn when something so innocent turns into something morbid and cruel.

Instead of the usual, ‘A is for Apple, B is for Boy etc.’ the film goes ‘ D is for Dynamite’ and then the following scene is a morbid display of explosion etc.


My thoughts at the end of the exhibition:

Sad to say, I was not as enthralled as I expected to be after watching the film exhibition as I did not understand majority of the films. Perhaps it is because I have little interest in politics. The film that kept my attention from start to end is Shotgun Tuding by Shireen Seno as I felt there was a narrative story plot goal for me to follow from start to end. But regardless, I took away some lessons from this exhibition and that is the choice of color pallete, type of shots to be excuted and use of different techniques to evoke certain emotions in the viewers.

 

Assignment 3 was pretty fun to do as I tried to apply what we’ve learnt during lessons with Ms Ruyi, and having to work with subject matter which didn’t have facial expressions was quite a fun challenge to me!
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
I carrot about you

Title: I carrot about you

Genre: Romance + Tragedy

Logline: A modern day vegetable love story.

Synopsis using 3 Act structure:

(Exposition/Introduction) Cassandra the Carrot has lived a long and lonely life in the fridge. The other ingredients in the fridge has already gotten their partners: a dozen of eggs, a pair of apples and a pair of pears .

(Rising Action) One day, The Hand reached out and placed Cassandra on the kitchen counter. In awe because Carrot has yet to seen the warm outside world for a long time, she was happy. Then suddenly, The Hand placed a grocery bag beside her where she met Carl the Cabbage.

(Stakes getting higher) Carl and Cassandra fell in love at first sight. They were different from their own species and were very intrigued with each other. The other vegetables despised and talked behind their backs about their uncommon and odd relationship. But they didn’t care. They were in love.

(Crisis) One evening, Carrot was taken away from Cabbage’s embrace by The Hand as she was no longer fresh enough to keep. And Cabbage was placed in the cold dark fridge by The Hand. Out of misery and desperation, Cabbage rammed himself against the fridge door repeatedly to save the love of his life, in the process, damaging himself.

(Falling Action) Upon seeing the damaged cabbage when The Hand took the fishcakes out of the fridge, The Hand decided to cook the Carl . The Hand took Carl to the chopping board and he saw the remains of his lover: Cassandra’s peeled skin and carrot top. Carl’s heart was torn apart, like how he was being torn by The Hand.

(Resolution) Little did they know that they were cooked and served in different dishes, the bodies of Carl and Cassandra were reunited again on the dinner table.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Expressions

My video does not include narration nor visible facial expressions. HENCE, I attempted to include expressions for my subject matters by the use of angle, proximity of the subject matters and the expression marks usually used in manga and comic books.
I used the 3 pink lines on each 'cheek' of my subject matters to indicate blushing.

I used the 3 pink lines on each ‘cheek’ of my subject matters to indicate blushing.

Mood and Atmosphere of situation
Camera Angles: Canted angles are often used  to indicate dramatization and shock during the Crisis stage where Carl and Cassandra were separated at the sink, as well as when Carl was damaged after he got damaged in the process to save Cassandra.
31-frame-editted

The two lovers were separated by The Hand by the sink

Timing of each image: Heavily inspired by La Jetee’s use of timing for each image to give the mood and situation of each scene, I set the timing for the images to be short (2 seconds) to indicate speed of each scene. For instance the scene where Carl was being taken away by The Hand from Cassandra, and the scene where he was brutally ripped apart by The Hand.
The process where Carl was taken away by The Hand was quick. Hence the image timing was quick too.

The process where Carl was taken away by The Hand was quick. Hence the image timing was quick too.

And I extended the timing for the images (~7 seconds) for the scenes where time seem to stop, to sink in the moment. Such as the scene where Cassandra and Carl were in love and admiring each other.
Time seems to pause momentarily for them as they fell in love

Time seems to pause momentarily for them as they fell in love

Reoccurring Motif: Inspired by the film American Beauty where the color Red was a reoccurring motif, I decided to use the red mug with the Chinese character ‘囍’ as the reoccurring motif. ‘囍’ means double happiness where it is usually used in traditional Chinese weddings. It acts a semiotic in my images to describe the mood of double happiness when Carl and Cassandra meet.

Time seems to pause momentarily for them as they fell in love

Time seems to pause momentarily for them as they fell in love, represented by the red mug.

The mug was seen again in the scene where Carl was kept in the fridge, but this time, the Chinese character  囍 was halved as he is now alone and not with his other half: Cassandra.

 囍 is halved in this scene where Carl is viewed upclose

囍 is halved in this scene where Carl is viewed up-close.

Lighting: I edited the refrigerator photos to a blue-ish lighting to emit a sterile and lack of warmth environment, and increased the saturation level of the subjects that experience warmth/love in the fridge such as the coupled fruits and eggs. This is to emphasize that amidst the cold and lack of warmth environment, the coupled subjects obtained their warmth from their partner’s love. Whereas Cassandra the carrot does not have the warmth lighting like the rest as she is alone and at that moment unloved.
Blue-ish tone of fridge

Blue-ish tone of fridge

Pears in love has warmer tones as compared to the blue-ish background

Pears in love has a warmer tone as compared to the blue-ish background

Background music (BGM): 
BGM chosen are non lyrical and usually includes instruments and white noises. I didn’t want lyrical BGM to distract the viewers as the words may create a different meaning. I wanted to choose a BGM that conveys the mood of the situation, and that was the main point for me.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Use of Wally Wood’s 22 Panels to create Variety
Depth
Depth in Wally Wood's 22 Panels

Depth in Wally Wood’s 22 Panels

One big and one small object in Wally Wood's 22 Panels

One big and one small object in Wally Wood’s 22 Panels

Cassandra is often in the distance and blurry whereas the coupled subject matters are up close on the right or left, to create depth. My intention was  to create an implied line, to emit this feeling where Cassandra is looking from afar in slight envy of the loving fruits.

Depth is created here as eggs are closer to the camera while the other veggies and fruits are further behind

Depth is created here as eggs are closer to the camera while the other veggies and fruits are further behind

Contrast

Contrast in Wally Wood's 22 Panels

 

Use of dark foreground in Wally Wood’s 22 Panels

Contrast in color and tone is often used in the images in my video so as to allow the viewers to focus on a certain area only. This contrasts creates variety in the images and prevents them from looking flat and non- emotive.
Bright central subject matters against a dark background

Bright central subject matters against a dark background

Subject matters in the foreground are much darker as compared to central subject matters.

Subject matters in the foreground are much darker as compared to central subject matters.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Conclusion of Assignment 2
It was quite a challenge for me to portray the feelings of my subjects as they were non- living and expressionless. I have learnt that the use of timing of each image, lighting, angle and music to give emotions to my subject matters and every tweak or post photography edits changes the mood and atmosphere the original image could convey! Ru Yi suggested that I should have removed the blushing effect  and startled effect over the subject matters as the music and color contrast was already pretty much self explanatory :0 . Nonetheless, it was a real fun for me in this project as I was able to be my own director and portray my expressionless subject matters the way I want to create a narrative story!
Cheers!
Seng Yi Ling

Today in class we learnt about what makes a good story!

Miss Ruyi showed us a video of filmmaker Andrew Stanton on TED TALK on what he thinks make up a good story, and I find that highly inspirational and I was blown away by how much thought was placed into story making in films and animations.

Link to watch the video is here: https://www.youtube.com/watch?v=KxDwieKpawg

I have learnt from the video that:

  • Story telling is knowing when to insert your punchlines.
  • Stories in films give us affirmation that our lives have meaning.
  • A good story is able to transcend through past, present and the future.
  • ‘Make Me Care’. By evoking emotions of audiences to care about the characters, it engages the audience’s heart and minds.
  • Make a promise to the audience that watching your film is worth their time. It acts as a pebble pulled on a slingshot, it propels one forward in the story.
  • Story form without dialogues are very innocent. Well absent information draws the viewers into the story and capture our hearts. An example of a film without dialogues is Wall-E !MV5BMTczOTA3MzY2N15BMl5BanBnXkFtZTcwOTYwNjE2MQ@@__V1_UX182_CR0,0,182,268_AL_
  • ‘Unify Theory as 2+2’ make audiences think and ponder instead of feeding direct information to them.
  • Character with a spine (story/goal) gives depth to the story.
  • When thing goes static, the story dies.
  • Global tension exists to help the story.

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Like Dory’s bad memory in Finding Nemo and Finding Dory where her memory was a constant worry for the audience to reach a final resolution to the films.

  • Drawing a (tragic) backstory of a character also helps to build a good story. Like Woody in Toys Story where he is selfless, but his back story is of him being very selfish in the past.
  • Having little secrets in the story, the plot is driven forward as the audience would be curious of ‘the secret’ shared by the characters.
  • Use what you know. Express values of what you truly feel. It is the truth and it is genuine, which I believe audience can feel. After all, your story is unique and not replicable.

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Understanding types of genres also aids in story telling.

moodboard genre

A film can be exciting when mixing of genre is involved. (e.g. Action + Thriller) But eventally as a whole, the movie ought to have a primary genre.

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Like ‘Her’ by Spike Jonze, it is a mixed genre of romance and sci-fi, but the primary genre of this movie is Romance~

The use of ‘The 3 Act Structure’ is very relevant and aids one to organize their story boarding in films.

3-actThe setup (Exposition) consists of the facts the audiences need to know, like the establishment of characters an motive

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Personal Input:

A movie I had watched recently that I felt was… bad and a total waste of my money and time was …

mechanicposterYES. I had really high expectations of this movie initially because the male lead was Jason Statham, the actor in one of my all time favorite action movie, ‘The Transporter’.

Using ‘The 3 Act Structure’ to breakdown the action-thriller movie,

(SPOILER ALERT)

The Introduction and Exposition was rather clear, he was a highly paid for assassin who faked his death so he could lead a ‘normal life’. And in the midst of enjoying civilian life, his identity was found and was given a job he didn’t want to continue anymore.

The Rising Action at the Conflict stage began when he escaped to Thailand to seek refuge from an old friend. Long story cut short, his plan was ruined when some damsel in distress seeks for his help, who turned out to be a spy who was held hostage by the employer who wanted the male lead to carry on his assassin job.

And this is when the plots starts dwindling… the following scenes were so fast paced and everything that came after seemed rush. He traveled to 3 different countries to execute missions in 36 hours… did he teleport through a portal or??? I felt that sexual tension was exploding between the characters even though there was no proper build up to their relationship. Now, I felt the build up was essential even though it was not a romance film as he took up the assassination job which he avoided for years to save her: someone he ONLY met for 2 days…

I got bored really quick as the only thing that kept me alive in the cinema was the gory fighting scenes and the constant flashing of the male and female lead’s hot bodies. WHAT HAPPENED TO THE STORY?!

The falling action in the resolution category was that the female lead was saved and they lived happily ever after. THE END. *roll eyes* SO PREDICTABLE… At that point I just wanted my 1 hr and 40 mins back.

Amazing casts were in this movie, like Jason Statham, Jessica Alba, Michelle Yeoh etc. But the plot and script just killed it all.

Even though there was The 3 Act Structure in the movie, I find that the process of buildups and transitions were very badly handled. But of course, this is purely based on my opinion while comparing it with other films I have watched. Sorry for the spoilers and unplanned movie review.foot-in-mouth

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Food for thought I had during today’s lesson was ‘ Does good looking actors/ characters help to drive a story?‘ I had dual perspective on this… Yes, because good looking characters help to keep the audience’s attention. And No, because attention is so drawn to the visual appearance of the actor, the plot of the story is casted aside and that defeats the purpose of the entire film because… if you want to look at good-looking actors, just go stalk them on social media right? Why bother paying so much to watch a movie?? Unless the whole use of good-looking casts is for publicity reasons. #SadTruth

Thanks for reading!!

Cheers,

Seng Yi Ling.

Longed for him. Got him. Shit.

This was our 6 word story class assignment for today and we (Group members: Queenie, Yit Ling, Zoelyn, Hui Min and Myself) were given some time to portray this short story into photographs using what we have learnt in class today!

I have learnt that framing is very important as it determines how the audience is able to get the full experience of the emotions and message the director wants to convey.

Lead room/ lead space

full_1341_62441_LeadRoom_1

Character looks to the right and has a lot of space to his right. This allows the audience to assume that the character is going towards that direction.

Rule of Thirds ( applies to close up, mid-shots, full body shots)

img_0011_thirdsRule

Golden Ratio of the rule of thirds puts character the director wants to focus at the intersecting line. Allowing the audience’s eyes to be drawn to the character, creating a hamonious balance.

Framing

In_the_Mood_Essay_Current_large

In the movie, ‘ In the mood of love’, the door frame/ widow frame is often used as a frame for the main character. This is because our eyes to be naturally drawn towards open frames,The inclusion of a light source such as back light or lamp brings about attention due to the contrast of lighting between the dark hall way and the main character’s position.

Another movie , ‘Ida’ the main character is always framed at the corners of the screen, going against the rules of third even though she is the main character.

Ida (3)

This is highly intriguing to me because without knowing the actual reason why the director chose to shoot the scene in a specific manner, I would have assumed he is bad at filming.  But the reason for her being at awkward areas of the frame is because of her story. She is framed out of place. Just like her situation where she feels out of place as she is a Jewish nun. The breaking of conventional framing rules are exceptionally meaningful in this case where the way the character is filmed links to his/her story.

Lines

Horizontal lines gives a sense of peace and serenity.

Vertical lines gives a sense of stability and power

Diagonal lines gives a sense of dynamism, instability and is often used in futuristic films

Types of shots

Full body shot should have head space and legs of the character should not be cut at ankles, otherwise he will look awkward.

Mid body shot should be cut at the waist of the character.

Close up should be cut at the shoulder. It is recommended if director wants to focus on the main character’s facial expression, close scrutiny of details. Close-up shots of main character should not be cut off at the eyebrows or chin area, otherwise expressions are more difficult to be read and character will look awkward as well.

Macro Close up shot signifies importance of the object

Canted angle is when the shot is tilted at a 45 degrees angle.

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Like in Danny Boyle’s ‘Slumdog Millionaire film’, scenes shot at 45 degree angle seem more chaotic, dramatized and intense.

Out of focus shots gives a sense of losing consciousness.

Shame movie out of focus~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Longed for him. Got him. Shit.

“Longed for him.” Rules of Third are applied here . Down up angle, close up shot to create a feeling of admiration and focus on facial expression.

Close up shot of subject matters to emphasise on expressions. Line of perspective created by railings at the back allows viewers to draw their attention to both. Rules of Third are applied here too.

Close up shot of subject matters to emphasize on expressions.
Line of perspective created by railings at the back allows viewers to draw their attention to both.
Rules of Third are applied here too.

Stairway acts as a line of perspective and railing acts as a frame for 3 subject matters. Full back body shots are used.

Stairway acts as a line of perspective and railing acts as a frame for 3 subject matters.
Full back body shots are used.

 

Subject matter on the left is cut off half way to create a feeling of mystery. Rules of third are attempted to be applied here whereby the two subject matters on the left are the main focus

Subject matter on the left is cut off half way to create a feeling of mystery.
Rules of third are attempted to be applied here whereby the two subject matters on the left are the main focus.

Got him. Subject figure on the right is in the center to create focus, and subject figure on the left is still cut in half out of frame to create the feeling of mystery.

“Got him.”
Subject figure on the right is in the center to create focus on her facial expression, and subject figure on the left is still cut in half out of frame and out of focus to create the feeling of mystery.

Shit. Rules of third are applied here a well. Subject figure on the left is out of focus. Railing in the back creates an implied line to draw viewer's attention in the direction of the second subject figure on the right. Subject figure's expression are in focus to draw attention to facial expression.

“Shit.”
Rules of third are applied here a well.
Subject figure on the left is out of focus.
Railing in the back creates an implied line to draw viewer’s attention in the direction of the second subject figure on the right.
Subject figure’s expression are in focus to draw attention to facial expression.

Found this class assignment to be very entertaining and helpful in making me understand the types of framing, composition and shots that can better help convey the story the directors want to portray. I believe that now after this lesson, I would pay more attention to the types of framing an angles in films , and question myself more often as to why the director chose to shoot the scenes this way! 😀

Cheers,

Yi Ling.